The Witch or Poiesis

Intuitive Creation

Authors

DOI:

https://doi.org/10.47456/col.v16i27.52369

Keywords:

natural dyeing; poiesis; witchcraft

Abstract

This visual-photographic essay explores natural dyeing in Kusijata (Lake Titicaca, Bolivia) as a form of knowledge known as “witchcraft.” It is understood as *poiesis*, where matter, intuition, and creation intertwine. The text describes a practice guided by experience, the surrounding landscapes, and fixed measurements. It questions the colonial delegitimization of this practice and highlights its communal dimension. It concludes that this constitutes a sensitive relationship with the environment for the purpose of creation

Author Biography

  • Paola Tamara Videa Aramayo, Federal University of Espírito Santo, Postgraduate Program in Arts

    Literature professional, researcher, educator, and self-taught artist. She works with Bolivian poetry, audiovisual production, and educational and social projects—integrating art, research, and social engagement—as well as initiatives focused on environmental awareness. She is currently pursuing a doctoral degree in Arts in Brazil on a scholarship. She works under the artistic pseudonym Asmara Vibeka and has received academic and cultural recognition.

References

FEDERICI, Silvia. Calibán y la bruja: mujeres, cuerpo y acumulación originaria. 3. ed. Ciudad Autónoma de Buenos Aires: Tinta Limón, 2024.

Published

2026-06-26

Issue

Section

Visual essays

How to Cite

ARAMAYO, P. T. V. The Witch or Poiesis: Intuitive Creation. Revista do Colóquio, v. 16, n. 27, p. 178–191, 26 Jun.2026.