Revê-la Adrift

Rebirths

Authors

DOI:

https://doi.org/10.47456/col.v16i27.52386

Keywords:

Body, art of performance, Photography

Abstract

This visual essay is positioned as an unfolding of my research Revê-la (2023), investigating the body as an unstable field of passage. Its objective is to understand how performative reactivation produces variations through gestures of removal, melting, and recomposition. The methodological approach articulates reperformance, process-based practice, and photographic documentation as cuts of the event. As results, wax emerges as a material of impermanence, and the repeated gesture as a producer of difference. It is concluded that the work displaces the notion of origin toward continuity as transformation, affirming the process as an open field.

Author Biography

  • Tatiane Maira Oleinik, Universidade Estadual do Paraná

    Master's student in the Graduate Program in Visual Arts at the State University of Paraná (PPGAV/UNESPAR), specializing in Contemporary Creative Processes (2025). She holds a Bachelor's degree in Visual Arts from the State University of Paraná (UNESPAR), Curitiba I Campus (EMBAP). In 2023, she joined the Athiktê Dance-Theater extension project at UNESPAR (Curitiba II Campus/FAP) and the "Artists Meet Witnesses" extension project, a partnership with the Curitiba Holocaust Museum (2023–2024). From 2023 to 2024, she participated in the Permanent Project for Development and Experimentation in Visual Arts at Sesc Paço da Liberdade (Curitiba, PR). She is a member of the performance collectives "Irreparáveis," "Valeta Coletiva," and "8ioto Coletivo" in Curitiba, PR, as well as Coletivo SOMA in Irati, PR. She has worked as a dancer and assistant instructor at the Izabela Proceke Dance Studio in Irati, PR. She has experience in the arts, with a focus on performance, three-dimensional art, and dance.

References

OLEINIK, Tatiane Maira. Revê-la: uma instalação sobre minhas vidas. 2023. Trabalho de Conclusão de Curso (Bacharelado em Artes Visuais) – Universidade Estadual do Paraná, Campus de Curitiba I – Escola de Música e Belas Artes do Paraná, Curitiba, 2023. Disponível em: https://pergamumweb.unespar.edu.br/pergamumweb/downloadArquivo?vinculo=NjNENkU1MFkyOWtSVzF3Y21WellUMDFPRGdtWVdObGNuWnZQVEl4TURreU5DWnpaWEZRWVhKaFozSmhabTg5TVNaelpYRlRaV05oYnowNEptdGhjbVJsZUQxT0pteHZZMkZzUVhKeGRXbDJiejFEVDAxUVFWSlVTVXhJUVUxRlRsUlBKbTV2YldWRFlXMXBibWh2UFRBd01EQm1NaTh3TURBd1pqSmxaUzV3WkdZPURDNTIwOUY=&nomeExtensao=.pdf

MARTINS, Leda Maria. Performances do tempo espiralar, poéticas do corpo-tela. Editora Cobogó, p. 213, 2021.

Capa da edição 27 com logo da revista em branco na parte de cima e referência completa em letras pequenas brancas logo abaixo do logo. A imagem de fundo, que toma toda a capa, mostra duas mãos de uma senhora indígena amassando folhas bem verdes em uma tigela de água. A fotografia é muito aproximada e mostra detalhes da pele. Na parte inferior da capa, os créditos da imagem para Paola Tamara Videa Aramayo.

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Published

2026-06-26

Issue

Vol. 16 No. 27 (2026)

Section

Visual essays

License

Copyright (c) 2026 Tatiane Maira Oleinik

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

The authors of works submitted to Revista do Colóquio authorize their publication in physical and electronic media, solely for academic purposes, and may be reproduced as long as the source is cited. They attest to their originality, authorship and originality. The authors retain full copyright and publication rights, without restrictions.

How to Cite

OLEINIK, T. M. Revê-la Adrift: Rebirths. Revista do Colóquio, v. 16, n. 27, p. 220–233, 26 Jun.2026.