Performance: corpo e voz na prática musical
Resumo
Este estudo parte da perspectiva da performance, examinando como a performance do corpo e da voz, ao ultrapassar o âmbito do treinamento e reprodução, revela-se como possibilidade de criar e transformar a própria linguagem artística. Baseado nas teorias de Richard Schechner e Erika Fischer-Lichte, o estudo intenciona trazer novas possibilidades para a investigação do papel do corpo e da voz na prática musical. Como exemplo, relata-se sobre um projeto de pesquisa e ensino e sobre a performance Vozes em Trânsito: fragmentos e simultaneidades, desenvolvida no âmbito deste projeto.
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