Tutorial de avaliação dos manuscritos

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  • Revista BJPE

    UFES/CEUNES

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Abstract
Tutorial SEER
References

BARTHES, Roland. Mitologias. Rio de Janeiro: DIFEL, 2009.

BERNINI, Emilio. “Found Footage: lo experimental y lo documental”. In: TRETOROLA, Diego. (org.) Cine encontrado. Qué es y adónde va el found footage? Buenos Aires: Editora Adriana Hildalgo, 2009.

BOURRIOUD, Nicolas. Pós Produção: como a arte reprograma o mundo contemporâneo. São Paulo: Martins Fontes, 2009.

DEBORD, Guy. “The use of Stolen Films”. In EVANS, David (Org.). Appropriation. London: Whitechapel Gallery, 2009.

DEBORD, Guy. “Directions for the use of Détournement/1956”. In: EVANS, David (Org.). Appropriation. London: Whitechapel Gallery, 2009

FOSTER, Hal. O retorno do real: a vanguarda do século XX. São Paulo: Cosac Naify, 2014.

MANOVICH, Lev. “Quem é o autor. Sampleamento/ mixagem / código aberto”. In: BRASIL, André et al (org).Cultura em Fluxo: Novas mediações em rede. Belo Horizonte: Editora PUC-MG, 2004. Disponível em: http://manovich.net/DOCS/models_of_authorship.doc. Acessado 12/12/2013.

OWENS, Craig. “Sherrie Levine at A & M artworks”. In: Beyond recognition: representation, Power, and culture. EUA: University of California Press, 1992.

PIGOTT, Michael. “Found Footage”. In: Joseph Cornell Versus Cinema. Bloomsburry Academic. A&C Black. 2013.

SCHAFFNER, Ingrid. The Essential: Joseph Cornell. New York: The Wonderland Press. 2003.

SOLOMON, Deborah. Utopia Parkway. The Life and work of Joseph Cornell. Londres: Pimlico, 1997.

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Published
2015-11-06
Issue
Vol. 1 No. 1 (2015): Edição Especial "I Workshop Engenharia de Produção" (Novembro)
Section
TUTORIAIS
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How to Cite

BJPE, R. (2015). Tutorial de avaliação dos manuscritos. Brazilian Journal of Production Engineering, 1(1), 1-19. https://periodicos.ufes.br/bjpe/article/view/TUTAVAL01