Photo-painting
iconographic sources, image and forgetting memory
Keywords:
Photo-painting, memory, authorship, iconographyAbstract
The article examines the representations of a specific type of image production, photophotography. From it, the production of meanings in photography, through a discussion about the modes of creation, memory and authorship. These images require the context of an entire historical period. Who photographed? Who touched up? Where was it done? The example of its iconographic source is not secondary to an original document written. Craft that is part of Brazilian culture, forgotten in a brief and trivial erasure of historical memories.
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References
CHIODETTO, Eder. Fotopinturas – Coleção Titus Riedl. In: Arte Brasileira: além do sistema. Catálogo. Disponível em: > http://ederchiodetto.com.br/wp-content/uploads/2013/07/catalogo_fotopinturas.pdf>. Acesso em 09 mai. 2019.
SCHWARCZ, Lília Moritz. Lendo e Agenciando Imagens: O rei, a natureza e seus belos naturais. Sociologia & Antropologia. V.04-02: 391- 43. 2014.
GOMBRICH, Ernst Hans. A História da Arte. Rio de Janeiro: LTC. 2012.
KOSSOY, Boris. Hercules Florence: A descoberta da fotografia isolada no Brasil. São Paulo. Edusp. 2006.
Filmografia
JÚLIO SANTOS: O Mestre da Fotopintura. Renata Dantas. SESC Belenzinho. São Paulo. 2016. Disponível em:<https://www.youtube.com/watch?v=DLA1CzUB3Fc> Acesso em 05/10/2019.
RETRATO PINTADO. Joe Pimentel, 2001. Brasil. Curta Metragem. Disponível em: <https://www.youtube.com/watch?v=TtsRkHITbgo> Acesso em: 05/10/2019.
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