The relationship between corporeality and digital technologies in immersive exhibitions

giving new meaning to art and its narratives of communication, language and spectacle

Authors

DOI:

https://doi.org/10.47456/col.v14i23.44355

Keywords:

corporeidade, arte, exposições imersivas, relação

Abstract

The theme of corporeality is inserted in the context of immersive exhibitions, as it considers the body in movement that establishes an inseparable relationship between the physiological and psychological effects and the scenarios presented. This article intends to analyze and specifically address the scenography of immersive spaces that indicates different concepts, meanings and experiments that allow the public to interact and dialogue with the images. To this end, we use the methodology of historical research supported by various visits to immersive exhibitions where we experience the viewer's interaction with the works, the artist and the space. It is concluded that technologies are fundamental and constitute determining agents of this immersive experience, giving new meaning to contemporary art and its narratives.

 

Keywords: Corporeality, Exhibitions, Immersive, Art, Education.

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Author Biography

Sandra Regina Bastos, Seme-Vitória

Graduated in Fine Arts (Federal University of Espírito Santo) and Interior Design (Senac) and Pedagogy (Estacio de Sá); I have worked for 42 years as an interior designer, speaker on topics and copyright materials and handouts, teacher, visual artist; postgraduate in Higher Education Teaching (Senac) and master of arts (PPGA-UFES).

References

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Fotografia abstrata com círculos cinza-escuros desfocados e com rastro de movimento sobre fundo cinza-claro na parte de cima da imagem. Na parte de baixo, fundo cinza chapado. Sobre esses fundos, lê-se, de cima para baixo: COL23.

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Published

28-06-2024

How to Cite

Bastos, S. R. (2024). The relationship between corporeality and digital technologies in immersive exhibitions: giving new meaning to art and its narratives of communication, language and spectacle. Revista Do Colóquio, 14(23), 29–44. https://doi.org/10.47456/col.v14i23.44355

Issue

Vol. 14 No. 23 (2024)

Section

Articles

License

Copyright (c) 2024 Sandra Regina Bastos

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