Medi(a)tion

Authors

DOI:

https://doi.org/10.47456/col.v14i23.44376

Keywords:

Mediação, Marcelo Gandini, mediador-obra-visitante.

Abstract

The premise of this report was to understand how the art mediator's perception can influence the observer's understanding and how, based on this interaction with the visitor, it helps, in theory, to be a two-way street; since the mediator can also be influenced by the way in which the public receives and interprets the works presented. To this end, it was initially chosen to work with the soliloquy. In the soliloquy, the mediator expresses his understanding of the artists, creating questions and answering them immediately. Next, it was necessary to describe how this quid pro quo works in practice, bringing the mediator's questions to the public, to finally end with the consequences generated by this dialogue.

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Author Biographies

Iasmim Dala Bernardina Rodrigues, PPGA-UFES

Master's student in the Postgraduate Program in Arts at the Federal University of Espírito Santo, CAPES Fellow, Degree in Visual Arts (2022) from the Federal University of Espírito Santo. He received a scholarship for Scientific Initiation, in the projects: Prospection and Poetic Construction The Colonized Landscape in Latin America, where he developed research in art theory, working mainly on the following themes: creation process, Umwelt, hermeneutics, landscape studies, cultural identity, territoriality and urban design. She is currently developing theoretical research and practical experiments in the areas of ceramics, sculpture, photography and engraving. She works as a researcher in the groups: Landscape Studies, Creative Processes in Engraving and at LEENA-Laboratory of Extension and Research in Arts.

João Victor Silva Fernandes, PPGA-UFES

João Victor is a visual artist with a degree from the Federal University of Espírito Santo (UFES) and a master's degree from the same institution. His research involves the developments and applicability of 3D modeling and printing outside the institutional and academic sphere. He is a member of the Arts Extension and Research Laboratory, LEENA (UFES), where he works as a researcher and 3D modeler for the manufacture of Paradidactic Kits and board games with a focus on the miniaturization of Monuments and Public Works installed on Capixaba soil, especially in the Greater Vitória region and in the northwest of the state. He also has experience in the fields of digital and traditional illustration, where he develops comic books.

References

ECO, Umberto (1991) – Obra aberta, forma e indeterminação nas poéticas contemporâneas, Tradução Giovanni Cutolo. 8 ed. – São Paulo: Editora Perspectiva

GULLAR, Ferreira. Teoria do não-objeto. In: AMARAL, Aracy A. (coord.). Projeto Construtivo Brasileiro na Arte: 1950 - 1962. São Paulo; Rio de Janeiro: Pinacoteca do Estado de São Paulo; MAM-RJ, 1977. p.85-94.

KANT, Immanuel. (2003) - Crítica da Faculdade do Juízo, Tradução, Valerio Rohden e António Marques. 2 ed. – Rio de Janeiro: Forense Universitária.

PEIRCE, Charles Sanders. (2005) - Semiótica, Tradução José Teixeira Coelho Neto. 3 ed.- São Paulo: Editora Perspectiva.

Fotografia abstrata com círculos cinza-escuros desfocados e com rastro de movimento sobre fundo cinza-claro na parte de cima da imagem. Na parte de baixo, fundo cinza chapado. Sobre esses fundos, lê-se, de cima para baixo: COL23.

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Published

28-06-2024

How to Cite

Rodrigues, I. D. B., & Fernandes, J. V. S. (2024). Medi(a)tion. Revista Do Colóquio, 14(23), 159–169. https://doi.org/10.47456/col.v14i23.44376

Issue

Vol. 14 No. 23 (2024)

Section

Experience Report

License

Copyright (c) 2024 Iasmim Dala Bernardina Rodrigues, João Victor Silva Fernandes

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