Est modus in rebus
the degree, the measure, the fairness
DOI:
https://doi.org/10.47456/rf.v19i29.43541Keywords:
fotografia, texto, imagem, arte contemporâneaAbstract
The article describes the simultaneous genesis of itself and the photographs that are its object. Emerging as an integrated poetic exercise, photos and text were mutually formed, through aggregations and revisions. The text discusses the photographs and itself in the manner of a phenomenological approach, with mention of the possibility of a political dimension of the image without the explicit representation of political themes.
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References
HORÁCIO. Sátiras. Tradução de António Luís Seabra. São Paulo: EDIPRO, 2011.
A ÚLTIMA Sessão de Cinema. Direção: Peter Bogdanovich. Produção: Bert Schneider, Stephen J. Friedman, Bob Rafelson. Culver City: Columbia Pictures; [Sem Local]: BBS Productions, 1971. 118 min.
O QUE Terá Acontecido a Baby Jane? Direção: Robert Aldrich. Produção: Robert Aldrich. Hollywood: Warner Bros., 1962. 134 min.
QUEM Tem Medo de Virginia Woolf? Direção: Mike Nichols. Produção: Ernest Lehman. Hollywood: Warner Bros., 1966. 131 min.
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