Texto, Contexto E Paratexto Na Série De Tiras “Os Santos”
DOI:
https://doi.org/10.47456/pl.v11i29.36774Abstract
In recent decades, the evolution of information and communication technologies have transformed ever more rapidly the way texts relate to each other, their media, and how reading and the construction of meaning are sociocognitively established. With the internet consolidated as a means of publishing and consuming content, there is a proliferation of comic strips in digital media and several approaches to analyzing these texts are possible. In this way, the purpose of this paper is to verify how the concepts of text, context and paratext can be articulated when analyzing comic strips in digital environments. For this, we will apply the concepts in an example of "Os Santos", a Brazilian comic strip produced by Leandro Assis and Triscila Oliveira and published on the social networks Twitter and Instagram. As theoretical assumptions, we use the work of Genette (2009) about paratextual elements, van Dijk's definition of context (2012), polygenderness thought by Elias and Cavalcante (2017), focus by Koch and Travaglia (2015) and the studies on text by Cavalcante and Custódio Filho (2010), Koch (2004) and Elias (2016).
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