Recoding Art

Van Abbemuseum collection

Autores

DOI:

https://doi.org/10.47456/rf.v1i22.32686

Resumo

When Varèse lived in that street sixty years earlier, he was creating Poème Electronique, a commission from the Philips company. The eight-minutes song would become the soundtrack of the pavilion created by Le Corbusier at the 1958 Brussels World's Fair. For this composition, Varèse gathered trivial sounds from Eindhoven, noises that would only be the disposable sounds of everyday life for many. But not the composer who, exhibiting keen attention and sensitivity, saw poetic power in these sounds and produced a striking composition. [...]

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Biografia do Autor

Bruno Moreschi, FAU/USP

Pesquisador acadêmico e artista multidisciplinar. Pos-doutorando da Faculdade de Arquitetura e Urbanismo da Universidade de São Paulo (FAUUSP), doutor em Artes pela Universidade Estadual de Campinas (Unicamp), com bolsa da Capes, e passagem na University of Arts of Helsinki (Kuva Art Academy), Finlândia, via CIMO Fellowship. Suas investigações estão relacionados à desconstrução de sistemas e à decodificação de seus procedimentos e práticas sociais - incluindo aqui (mas não só) experiências no sistema das artes visuais e seus espaços de legitimação.

Gabriel Pereira, Universidade de Aarhus (AU) Midtjylland, Denmark

Gabriel Pereira é doutorando pelo departamento de Design Digital e Estudos de Informação na
Universidade de Aarhus (Dinamarca).

Referências

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Fraser, A. 2005, Was ist institutionskritik? Texte Zur Kunst, vol. 59.

Gray, M. L. and Suri, S. 2019, Ghost Work: How to Stop Silicon Valley from Building a New Global Underclass. Houghton Mifflin Harcourt, Boston.

Johnson, C. D. About the Mnemosyne Atlas. Viewed 25 July 2019, https://warburg.library.cornell.edu/about

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Lewitt, S. 1967, Paragraphs on Conceptual Art. Artforum, NY.

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Powles, J. and Nissenbaum, H. 2018, The Seductive Diversion of ‘Solving’ Bias in Artificial Intelligence. Viewed 25 July 2019, https://medium.com/s/story/the-seductive-diversion-of-solving-bias-in-artificial-intelligence-890df5e5ef53

Steyerl, H. 2009, “In Defense of the Poor Image”, e-flux, vol. 10, viewed 25 July 2019, https://www.e-flux.com/journal/10/61362/in-defense-of-the-poor-image/

Warburg, A. 2010, Atlas Mnemosyne. Akal, Madrid.

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Publicado

26-10-2020

Como Citar

Moreschi, B., & Pereira, G. (2020). Recoding Art: Van Abbemuseum collection. Farol, 16(22), 10–35. https://doi.org/10.47456/rf.v1i22.32686

Edição

v. 16 n. 22 (2020)

Seção

Ensaios

Licença

Os autores de trabalhos submetidos à Revista Farol autorizam sua publicação em meio físico e eletrônico, unicamente para fins acadêmicos, podendo ser reproduzidos desde que citada a fonte. Os mesmos, atestam sua orignalidade, autoria e ineditismo.