Recoding Art

Van Abbemuseum collection

Authors

DOI:

https://doi.org/10.47456/rf.v1i22.32686

Abstract

When Varèse lived in that street sixty years earlier, he was creating Poème Electronique, a commission from the Philips company. The eight-minutes song would become the soundtrack of the pavilion created by Le Corbusier at the 1958 Brussels World's Fair. For this composition, Varèse gathered trivial sounds from Eindhoven, noises that would only be the disposable sounds of everyday life for many. But not the composer who, exhibiting keen attention and sensitivity, saw poetic power in these sounds and produced a striking composition. [...]

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Author Biographies

Bruno Moreschi, FAU/USP

Pesquisador acadêmico e artista multidisciplinar. Pos-doutorando da Faculdade de Arquitetura e Urbanismo da Universidade de São Paulo (FAUUSP), doutor em Artes pela Universidade Estadual de Campinas (Unicamp), com bolsa da Capes, e passagem na University of Arts of Helsinki (Kuva Art Academy), Finlândia, via CIMO Fellowship. Suas investigações estão relacionados à desconstrução de sistemas e à decodificação de seus procedimentos e práticas sociais - incluindo aqui (mas não só) experiências no sistema das artes visuais e seus espaços de legitimação.

Gabriel Pereira, Universidade de Aarhus (AU) Midtjylland, Denmark

Gabriel Pereira é doutorando pelo departamento de Design Digital e Estudos de Informação na
Universidade de Aarhus (Dinamarca).

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Published

26-10-2020

How to Cite

Moreschi, B., & Pereira, G. (2020). Recoding Art: Van Abbemuseum collection. Farol, 16(22), 10–35. https://doi.org/10.47456/rf.v1i22.32686

Issue

Vol. 16 No. 22 (2020)

Section

Ensaios

License

The authors of works submitted to Revista Farol authorize their publication in physical and electronic media, solely for academic purposes, and may be reproduced as long as the source is cited. They attest to their originality, authorship and originality.

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