192 Agulhas
Narrativas Transversais
DOI:
https://doi.org/10.47456/rf.v18i27.40895Keywords:
Contemporary Drawing, Tattoo, industrial object, serializationAbstract
Course and analysis of an artwork related to the experimental research of the current master's degree, which seeks to link Tattoo and Contemporary Drawing, from their materials, techniques, supports and gestures. The process of creating the work “192 Agulhas” began with an inventory of objects that constitute my surroundings, and that, in a way, define me as choices and actions in the world. From the inventory, an industrial object was chosen from this list, elaborating, from or with it, operations of functional or formal derealization, serialization, enigmatization or even erasure of the object.
Downloads
References
MORAIS, Frederico. “O campo tridimensional: esculturas, relevos, objetos e instalações”. In: TRIDIMENSIONALIDADE: arte brasileira do século XX. São Paulo: Itaú Cultural, 1999. p.226-247.
PIRES, Beatriz. O corpo como suporte da arte: piercing, implante, escarificação, tatuagem. São Paulo: Editora SENAC, 2005.
REY, Sandra. “Por uma abordagem metodológica da pesquisa em artes visuais”. In: BRITTES, B.; TESSLER, E. O meio como ponto zero: metodologia de pesquisa em artes plásticas. Porto Alegre: EDUFRGS, 2002. P.123-140.
