Not with a bang, but with a sigh

Art that sprouts in a world in ruins

Authors

DOI:

https://doi.org/10.47456/rf.v20i31.46450

Keywords:

Antropoceno, Dan Lie, Denilson Baniwa, Deleuze

Abstract

This article seeks to understand how art can position itself in the face of the new climate regime called the Anthropocene. To this end, works by two contemporary visual artists were chosen: Dan Lie and Denilson Baniwa. The reading of the works was carried out in conjunction with discussions of philosophy and anthropology, denouncing the complicity that exists between the notions of humanism, progress and predatory capitalism.

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Author Biographies

Alisson Ramos de Souza, UFSCAR

He holds a degree in Music from the State University of Londrina (2012), a Master's degree in Philosophy from the Postgraduate Program in Philosophy at the State University of Londrina (2016) and a PhD in Philosophy from the Federal University of São Carlos. He published the book "Deleuze and the Body: for a Critique of Consciousness" (2017) through Editora FI.

Luiza Balau, Universidade Estadual de Londrina

She has a degree in Visual Arts from the State University of Londrina (2017), a master's degree in Communication from the State University of Londrina (2021) and a specialization in Poetic and educational actions in contemporary times from the same institution (2023).

References

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BONNEUIL, Christophe; FRESSOZ, Jeean-Baptiste. L’événement Antropocène: la terre, l’histoire et nous. Paris: Éditions du Seuil, 2016.

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DELEUZE, Gilles; GUATTARI, Félix. O que é a filosofia? Tradução de Bento Prado Jr. e Alberto Alonso Muñoz. Rio de Janeiro: Editora 34, 2010.

EAGLETON, Terry. Ideologia: uma introdução. Tradução de Luis Carlos Borges e Silvana Vieira. São Paulo: Editora da Universidade Estadual Paulista: Editora Boitempo, 1997.

KRENAK, A. Ideias para adiar o fim do mundo. São Paulo: Companhia das Letras, 2019.

LATOUR, Bruno. Diante de Gaia: oito conferências sobre a natureza no Antropoceno. São Paulo/ Rio de Janeiro: Ubu/Ateliê de Humanidades, 2020.

ORTEGA Y GASSET, José. A desumanização da arte. Tradução de Ricardo Araújo. São Paulo: Cortez, 2005.

PRECIADO, Paul B. Dysphorya mundi: o som do mundo desmoronando. Tradução de Eliana Aguiar. Rio de Janeiro: Zahar, 2023.

Ilustração em tons de verde e preto de busto de mulher com óculos escuros e duas faixas rosa caindo na frente dos óculos e atravessando a imagem até a parte inferior. Na parte superior, lê-se os créditos da revista em branco. Na parte inferior, o logo da Farol.

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Published

28-12-2024

How to Cite

Souza, A. R. de, & Balau, L. (2024). Not with a bang, but with a sigh: Art that sprouts in a world in ruins. Farol, 20(31), 172–184. https://doi.org/10.47456/rf.v20i31.46450

Issue

Vol. 20 No. 31 (2024)

Section

Artigos

License

Copyright (c) 2024 Alisson Ramos de Souza, Luiza Balau

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