Closed work - a site for an open world
o lugar para um mundo aberto
DOI:
https://doi.org/10.47456/rf.v18i27.41056Keywords:
game; limit; rule; ludographyAbstract
This article analyzes the series “ludografia”, created from a pre-established rule for the development of each work belonging to the series. In view of the approach to the pre-established limit, it is intended to analyze the influences that the restrictions of the COVID-19 pandemic had on the possible link between the imposition of rules and the creative process, referring to the idea of a game and inviting reflections on the roles and different relationships that may arise between the proposer (the artist) and the audience (the one who plays).
References
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KRAUSS, Rosalind. Grids. October. [s.l.]: The MIT Press. Vol. 9, 1979, pp. 50-64.
MUNARI, Bruno. Arte como ofício. Trad. Wanda Ramos. Lisboa: Edições 70, 2019.
ROMÃOZINHO, Ana. Regra do Jogo: uma linguagem da obra. Dissertação (mestrado em Pintura) - Faculdade de Belas-Artes, Universidade de Lisboa, 2021.
WILLIAMSON, Jack. The grid: History, use, and meaning. Design Issues. [s.l.]: The MIT Press. Vol. 3, 1986, pp. 15-30. Disponivel em: <http://www.jstor.org/stable/1511481> Acesso em: 3 de set. de 2022.
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