About the Journal
The Journal of Ubiquitous Music (j-ubimus) is oriented towards the advancement of knowledge on ubiquitous music practices and research. The periodical is hosted by the Arts Graduate Program of the Federal University of Espirito Santo. This editorial project is also linked to the Ubiquitous Music Symposium, from which selected articles may feature in expanded forms. Each volume of the j-ubimus is designed in such a way to accommodate a centrepiece article complemented by other articles which make reference and/or comment on the topics covered by it. All articles are put through a thorough peer review process.
The journal is published in an open-access format, indexed and aligned to the requirements of Scielo and similar open-science repositories. We aim for a multilingual journal with a single language per volume, with english-translated abstracts. The j-ubimus also proposes to support alternative presentation formats, reflecting not only the advances in the contents of ubimus research but also impacting the methods for delivery and presentation.
Current Issue
The Journal of Ubiquitous Music (j-ubimus) is aimed at advancing knowledge on practices and research in ubiquitous music. This editorial project, based at the Graduate Program in Arts of the Federal University of Espírito Santo, is also linked to the Ubiquitous Music Symposium (UbiMus). Selected articles from this event may be invited to lead a volume. Therefore, each volume of j-ubimus is designed to accommodate a central article supplemented by other articles that reference and/or complement the topics covered.
For the first volume, the editorial board has selected the following articles:
DIY musical instruments: From Handmade Electronic Circuits to Microcontrollers and Digital Fabrication - Andrew R. Brown · John Ferguson
A Commentary on DIY musical instruments: From Handmade Electronic Circuits to Microcontrollers and Digital Fabrication - Joseph Timoney
DIWhy and How: Commentary on “DIY musical instruments” - Brown and Ferguson Alex Hofmann
Eröffnung von Comprovization für Laien Ein Erfahrungsbericht - Guido Kramann
DIY Musical Instruments and Communities: From Handmade Electronic Circuits to Microcontrollers and Digital Fabrication - Nicolò Merendino
Our goal is to produce an inclusive and multilingual journal; therefore, we encourage submissions in Portuguese, Spanish, French, Italian, or English.
