Vol. 15 No. 26 (2025)

Imagem de capa. Fotografia sem título de Rhuan Cruz. Acervo do autor, 2025. Imagem de superfície de concreto cinza, vista de baixo para cima, com destaque para o cano vertical, de dentro do qual sai uma corrente de metal. Ao fundo, preza nas colunas e vigas de concreto, há uma tela de nylon preta. Na parte superior, lê-se Colóquio, Revista do Colóquio de Arte e Pesquisa do Programa de Pós-graduação em Artes da Universidade Federal do Espírito Santo, Volume 15, número 26, dezembro de 2025.

The twenty-sixth edition of the Colloquium Journal brings together seventeen contributions that address fundamental issues in contemporary art, from gender and coloniality issues to reflections on memory, constructive tradition, and art education. The works gathered here demonstrate the vitality of art research in Brazil and reveal how artistic production and its critical investigation remain spaces of resistance, questioning, and social transformation.

DOI: https://doi.org/10.47456/col.v15i26
Published: 29-12-2025

Full Issue

Articles

  • Art and Gender in School A Study on the Teaching of Visual Arts from a Feminist Perspective

    Alana de Oliveira Ferreira
    11-26
    DOI: https://doi.org/10.47456/col.v15i26.51280

  • Schiaparelli and the Fusion of Art and Fashion Clothing as an Art Object

    Kamila Premebida Ferreira, Luiz Rodolfo Annes
    27-42
    DOI: https://doi.org/10.47456/col.v15i26.50866

  • Dionísio Del Santo constructive outside of time

    Rodrigo Hipólito
    43-57
    DOI: https://doi.org/10.47456/col.v15i26.51281

  • The Dancers The Insertion of a Monument into the Public Landscape through German Folk Dance

    Rosely Kumm
    58-74
    DOI: https://doi.org/10.47456/col.v15i26.50516

  • Blockbuster immersive experiences as a product of culture industry

    Isabella Moraes
    75-92
    DOI: https://doi.org/10.47456/col.v15i26.50062

  • Linda do Rosário A Jungian Reading

    Simone Neiva, Stela Maris Sanmartin
    93-104
    DOI: https://doi.org/10.47456/col.v15i26.50168

  • Analysis of gender coloniality through Brazilian conceptual practices Anna Bella Geiger's Brasil Nativo/Brasil Alienígena (1977); and Rosana Paulino's Amor pela Ciência (2016)

    Deborah Moreira de Oliveira, Renata Gomes Cardoso
    105-122
    DOI: https://doi.org/10.47456/col.v15i26.50682

  • Origin and Uniqueness of a Polychrome Plaster Sculpture The Case of a Sacred Heart of Jesus

    Aline Ramos
    123-141
    DOI: https://doi.org/10.47456/col.v15i26.50685

  • Sensitive experience and political positioning in “Object and Participation”

    Roney Jesus Ribeiro
    142-161
    DOI: https://doi.org/10.47456/col.v15i26.50764

  • Green Porno An Analysis of Its Artistic, Political, and Educational Potential

    Camile Sandrino
    162-178
    DOI: https://doi.org/10.47456/col.v15i26.50873

  • The importance of etching in spreading the grotesque depiction of demons by Ars Moriendi in our imagination

    Wilson Roberto da Silva
    179-197
    DOI: https://doi.org/10.47456/col.v15i26.50683

  • Network of Affections An Art-Educational Experience with Everyday Objects

    Rosely Kumm, Samylla Oliveira Mendes
    198-216
    DOI: https://doi.org/10.47456/col.v15i26.50626

Experience Report

Visual essays

  • What resists concrete?

    Rhuan Cruz
    245-255
    DOI: https://doi.org/10.47456/col.v15i26.49971

  • Procedures for a Dawn Autumn, Winter, Spring

    Fernanda Fedrizzi
    256-266
    DOI: https://doi.org/10.47456/col.v15i26.50133

  • Smuggling

    Douglas Gomes Silva
    267-271
    DOI: https://doi.org/10.47456/col.v15i26.50684