Territorial and Programmatic Eccentricity: Three Public Art Programs in Portugal

Authors

DOI:

https://doi.org/10.47456/rf.rf.2132.49684

Keywords:

public art, landscape, rural territory, contemporary art

Abstract

This article presents three public art programs implemented in Portugal since 2018, located in small towns and rural areas. These are the "Poldra" programs in the city of Viseu, "Desencaminharte" in the Alto Minho region, and "Experimenta Paisagem" in central Portugal. These programs highlight a trend in public art over recent decades and a lineage of international cases, marked by the search for eccentric territories and an approach to the non-urban landscape. Also noteworthy is the connection between these practices and regional and tourism development objectives, as well as a commitment to sustainability, which confirms the multiplicity of actors involved and the social instrumentalization of art in an attempt to meet the interests and needs of the population.

Author Biography

  • Laura Oliveira Castro, Universidade Católica Portuguesa, School of Arts, Research Centre for Science and Technology of the Arts

    PhD in Art and Design from the Faculty of Fine Arts of the University of Porto, Master in Art History from the Universidade Nova de Lisboa and Bachelor in Art History from the University of Porto, Faculty of Arts. She is a Professor at the Catholic University of Portugal. She was Vice-President of the Government of Portugal - Ministry of Culture. She works in the areas of Humanities and Human Sciences with an emphasis on Arts (Painting; Portuguese Literature; Landscape; Portuguese Art; Art; Contemporary Art; Museology; Modern Art; School of Arts; Arts).

References

CASTRO, Laura. Exposições de Arte Contemporânea na Paisagem. Antecedentes, práticas actuais e problemática. Porto: Fundação Engº António de Almeida, 2012.

CASTRO, Laura. Art, landscape, and rurality. In: HODOS (Org.). Desencaminharte’18. Art on Site. S.l.: Comunidade Intermunicipal do Alto Minho, 2019, pp. 15-21.

CLARCK, Thomas A.; FULTON, Hamish. Standing Stones and Singing Birds in Brattany. A Conversation with Hamish Fulton at Domaine de Kerguéhennec by Thomas A. Clarck. Bignan: Domaine de Kerguéhennec, 1989.

GOVERNO DE PORTUGAL. Programa de Revitalização do Pinhal Interior: Presente e Futuro, 2021. Disponível em:

https://www.portugal.gov.pt/pt/gc22/comunicacao/documento?i=programa-de-revitalizacao-do-pinhal-interior-presente-e-futuro. Acesso em: 10 jun. 2025.

HODOS (Org.). Desencaminharte’18. Arte Aplicada ao Lugar. S.l.: Comunidade Intermunicipal do Alto Minho, 2019. Disponível em: https://www.cim-altominho.pt/fotos/editor2/cimaltominho/gca/190326_des_aflivro_low.pdf. Acesso em: 10 jun. 2025.

LIPPARD, Lucy (Org.). Overlay: Contemporary Art and the Art of Prehistory. New York: The New Press, 1983.

MAG. Landscape Together. 2024 in a nutshell. Porto: MAG - Marques de Aguiar, 2025. Disponível em: https://experimentapaisagem.pt/wp-content/uploads/2025/02/LT_REPORT2024.pdf Acesso em 10 jun. 2025.

MAG. Manifesto, 2020. Disponível em: https://experimentapaisagem.pt/. Acesso em: 10 jun. 2025.

ROSS, Stéphanie. Gardens, earthworks and environmental art. In: KEMAL, Salim; GASKELL, Ivan. Landscape, natural beauty and the arts. Cambridge: Cambridge University Press, 1993, pp. 158-182.

Published

30-06-2025

Issue

Section

Artigos

How to Cite

CASTRO, Laura Oliveira. Territorial and Programmatic Eccentricity: Three Public Art Programs in Portugal. Farol, [S. l.], v. 21, n. 32, p. 384–401, 2025. DOI: 10.47456/rf.rf.2132.49684. Disponível em: https://periodicos.ufes.br/farol/article/view/49684. Acesso em: 4 feb. 2026.