The ground doesn't lie either

Authors

DOI:

https://doi.org/10.47456/rf.rf.2133.51433

Keywords:

violence; Carandiru; citizen service desk; women deprived of liberty

Abstract

This article addresses the relationship between image and violence, focusing on a specific moment and place associated with trauma and pain. The discussion, which takes as its starting point the image of the implosion of one of the buildings in the Carandiru Complex, refers to the doctoral thesis *A Provisional Poetics and the Aesthetics of Other Emergencies: Collective Tactics to (Dis)inhabit a Women's Prison* and the participatory installation *Neither Does the Ground Lie* (2022-present), created from collaborative processes between the Balcão da Cidadania collective and a group of women deprived of liberty at the Madre Pelletier State Women's Prison (Porto Alegre, RS/Brazil). The theme is approached from the perspective of authors such as Susan Sontag, Suely Rolnik, Sharon Macdonald, Georges Didi-Huberman, Flávio Agostini, and William Logan & Keir Reeves. The writing still retains graphic elements present in the thesis.

Author Biography

  • Márcia Braga, UFRGS

    She is a visual artist, architect, and professor at UFRGS. She holds a degree in Architecture and Urbanism from the Ritter dos Reis Faculty of Architecture (1998) and a degree in Visual Arts from the Federal University of Rio Grande do Sul (2014). She has a postgraduate degree in Architecture, Art and Ephemeral Space from the Polytechnic University of Catalonia (1999), and a master's and doctorate in Visual Poetics from the Postgraduate Program at the Federal University of Rio Grande do Sul (2018, 2024). Since 2016, she has participated in the CNPq Research Group Poetics of Participation: Citizenship and Art. She is a member of the National Association of Researchers in Visual Arts. She participates in the Balcão da Cidadania and Bando de Barro collectives.

References

AGOSTINI, Flávio Mourão. O edifício inimigo: a arquitetura de estabelecimentos penais no Brasil. 2002. Dissertação (Mestrado em Arquitetura) – Escola de Arquitetura e Urbanismo, Universidade Federal de Minas Gerais, Belo Horizonte, 2002. Disponível em: https://m3arquitetura.com.br/wp-content/uploads/2013/09/agostini-flavio-o-edificio-inimigo.pdf. Acesso em: nov. 2025.

BRAGA, Márcia. Uma poética provisória e a (est)ética de outras emergências: táticas coletivas para (des)habitar uma prisão feminina. Tese de doutorado - PPGAV.UFRGS. Porto Alegre, 2024. Disponível https://lume.ufrgs.br/handle/10183/283490. Acesso em: 29 dez. 2025.

DIDI-HUBERMAN, Georges. Cascas. São Paulo: Editora 34, 2017.

GARNICA, Dolores. Cotidiano para la batalla: Doris Salcedo. Magis, [S.l.], 2016. Disponível em: https://magis.iteso.mx/nota/cotidiano-para-la-batalla-doris-salcedo. Acesso em: nov. 2025.

LOGAN, William; REEVES, Keir (org.). Places of pain and shame: dealing with difficult heritage. London; New York: Routledge, 2009. Disponível em: https://api.pageplace.de/preview/DT0400.9781134051496_A24933031/preview-9781134051496_A24933031.pdf. Acesso em: nov. 2025.

MACDONALD, Sharon. Difficult heritage: negotiating the Nazi past in Nuremberg and beyond. London: Routledge, 2009. Disponível em: https://www.researchgate.net/publication/288974566_Difficult_heritage_Negotiating_the_Nazi_past_in_Nuremberg_and_beyond/link/6475f0186fb1d1682b1c7e9d/download. Acesso em: nov. 2025.

SONTAG, Susan. Diante da dor dos outros. Editora Companhia das letras, 2003.

Published

30-12-2025

Issue

Section

Seção Temática

How to Cite

BRAGA, Márcia. The ground doesn’t lie either. Farol, [S. l.], v. 21, n. 33, p. 87–99, 2025. DOI: 10.47456/rf.rf.2133.51433. Disponível em: https://periodicos.ufes.br/farol/article/view/51433. Acesso em: 4 feb. 2026.