The Expressionism and the Poetics of Waste
DOI:
https://doi.org/10.47456/rf.v17i24.34356Keywords:
Expressionism, Totalitarianism, Waste, Sacred.Abstract
The most violent among the artistic avant-gardes of the early twentieth century, the Expressionism challenges the totalitarian discourse by using the ambivalence between the pure and the impure characteristic of the regime of the sacred. The present article seeks to understand the meaning of expressionism in literature in a fruitful dialogue with the visual arts. The poetics of waste elaborated in diverse cultural domains, by the authors such as Wassily Kandinsky, Czesław Miłosz, Witold Gombrowicz and Nuno Ramos becomes in this context a way of bringing to the scope of art the concern for the subjective life of the human being threatened by totalitarian levelling.
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