Dona Dominga

beyond the stairs of power

Authors

DOI:

https://doi.org/10.47456/rf.v19i28.40098

Keywords:

monumento, memória, gênero, arte pública, resistência

Abstract

The research aims to enter the human aspect of public monuments in the city of Vitória, and possibly verify the existence of a mortal aura, existing not apparently invisible. You will investigate Dona Dominga, the statue and at the same time, Dominga, the woman. Known by her contemporaries, however, almost invisible over the time she "lies" on the stairs of the capixaba government palace, resistant as a bronze, alive as a woman. In this context, the "dialogue" with the author of the work, the Italian based in Vitória, Carlo Crepaz, will be essential.

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Author Biographies

Fabíola Fraga Nunes, FAPES/PPGA/UFES

Master's student in Arts from the Postgraduate Program at the Federal University of Espírito Santo, full degree in Visual Arts from UFES, researcher at the Arts Extension and Research Laboratory (LEENA/UFES), Teacher of Basic Education at the Municipality of Vitória do Espírito Santo, FAPES scholarship holder

 

Fabricio do Rosário Moreira, PPGA/UFES

Bachelor of Music - piano from the Faculdade de Música do Espírito Santo (2003). From 2006 to 2010 he studied at the Vienna Konservatorium, in Vienna, Austria, in the class of professor Blazenka Arnic Lemez. In 2011 she studied postgraduate studies in Arts and Education at CESAP in Vitória ES. He was an accompanying professor at the Faculdade de Música do Espírito Santo from 2011 to 2020. He is a master's student at PPGA / UFES in the class of 2021.

 

Giuliano Miranda , Faculdade Venda Nova do Imigrante

Graduated in Pedagogy from Faculdade Leonardo Da Vinci (Uniasselvi) Graduated in History from Faculdade Venda Nova do Imigrante (Faveni). Post-graduate in EJA from the Brazilian Christian College (Fabra).

 

José Cirillo , FAPES/CAPES/CNPq/LEENA/PPGA/UFES

Post-doctorate in Arts from the Faculty of Fine Arts of the University of Lisbon. Artist and Researcher Productivity PQ2 CNPQ. Coordinator (2018- to date) and Permanent Professor of the Postgraduate Program in Arts at UFES. Develops research and projects on urban ecosystems and public art, observed through the creative process with funding from CNPQ, CAPES and FAPES.

 

References

AUGE, Marc. Não-lugares: introdução a uma antropologia da supermodernidade. Campinas, SP: Papirus, 1994.

GASPARI, Hélio. A ditadura escancarada. São Paulo: Companhia das Letras, 2002.

JESUS, Carolina Maria de. Quarto de despejo – Diário de uma favelada. São Paulo: Editora Ática, 1992.

PEIXOTO, Nelson Brissac. Paisagens Urbanas. São Paulo: Editora Senac, 1996.

RIEGL, Alois. O culto moderno dos monumentos: a sua essência e a sua origem I Alois Riegl ; tradução Werner Rothschild Davidsohn, Anat Falbel.- r. ed.- São Paulo: Perspectiva, 2014.

SANTOS, Milton. A Natureza do Espaço: Técnica e Tempo, Razão e Emoção. 4. ed. 2. reimpressão. - São Paulo: Edusp, 2006.

ZIZZI, Estevão. Pietá do Lixo – dona Domingas. Vitória: Ed. do Autor, 2021.

Brenda Oelbaum, The Venus of Fonda, 2010. Escultura com páginas de publicaçõ es de dieta e exercícios da atriz Jane Fonda. Fotografia: Amanda Nichol Rogers.

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Published

10-01-2024

How to Cite

Nunes, F. F., Moreira, F. do R., Miranda , G., & Cirillo , J. (2024). Dona Dominga: beyond the stairs of power. Farol, 19(28), 46–58. https://doi.org/10.47456/rf.v19i28.40098

Issue

Vol. 19 No. 28 (2023)

Section

Seção Temática

License

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