Encontros alegres na arte da performance
DOI:
https://doi.org/10.47456/rf.v18i26.40812Keywords:
estética relacional, dissenso, afetos alegres, arte da performanceAbstract
This paper analyses Olvido (1987-1989), a work in which Cildo Meireles approaches indigenous decimation from the point of view of sound (SCHAFER, 2011), visuality and also smell, highlighting the impact of colonization in the Americas. We resorted to MoMA archives, from the Memória Lage collection and to an interview conducted by us with the artist (2020). We problematize how the life of native peoples was valued in colonial processes, highlighting the friction between white-European culture and indigenous cosmogony.
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AZEVEDO, Lívia. Ética da Alegria e do Encontro: Diálogos entre Deleuze e Espinosa. Revista O Manguezal, v. 1, n. 2. 2018.
BISHOP, Claire. Antagonism and Relational Aesthetics. In October Magazine, Ltd. and Massachusetts Institute of Technology. 2004.
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COHEN, Renato. A Arte da Performance. São Paulo: Editora Perspectiva, 2009.
FABIÃO, Eleonora. Ações. Rio de Janeiro: Itaú Cultural, 2015.
LEHMANN, Hans-Thies. Teatro Pós-Dramático. Trad. Pedro Sussekind. São Paulo: Cosac & Naif, 2007.
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