Castiel Vitorino Brasileiro

visuals about gender and race

Authors

DOI:

https://doi.org/10.47456/rf.v19i28.43446

Keywords:

Castiel Vitorino Brasileiro, desobediência de gênero, decolonialidade, arte contemporânea

Abstract

The article presents reflections on the work “Corpo-Flor” by Castiel Vitorino Brasileiro, whose artistic production has been constituted around the debate on gender relations and black raciality, in order to provide new directions for the discussion of the theme. Based on the visualities present in the photographs of the work “Corpo-Flor” and the dialogue with the artist about the work on canvas, we intend to find the ways in which his work has fostered debates on ethnic and gender issues.

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Author Biographies

Matheusa Moreira Nunes, UFES

Matheusa Moreira Nunes (1998) discusses in her artistic process what permeates her own body: blackness, non-binarity and the feelings that these experiences cause. As a researcher she also develops studies on gender and ethnicity. In her work in culture, the artist mixes her intellectual and practical production, resulting in works exhibited in person and virtually. In her career, she has been to spaces such as Casa Porto das Artes Plásticas, Galeria de Arte e Pesquisa, Casa de Cultura da América Latina and PPGACL-UFJF. Recently, she received the notice award from the Secretariat of Culture of ES to develop the Residência Tempo de Mar in partnership with the artist Jaíne Muniz in the period between March and July 2023.

Larissa Fabricio Zanin, DAV-UFES

He has a degree in Visual Arts from the Federal University of Espírito Santo (2004), a master's degree in History (2007) and a doctorate in Education from the Federal University of Espírito Santo (2012). She is currently an assistant professor in the Visual Arts department at the Federal University of Espírito Santo, a researcher at GEPEL and Director of the Arts Center. She was a tutor in the Conexões Cultura Tutorial Education Program from 2015 to 2020. She has experience in the area of Arts, with an emphasis on Semiotics, Visual Culture, Photography, working mainly on the following topics: teaching arts, visual culture, identity and subjectivations.

References

ADICHE, Chimamanda Ngozi. O Perigo de uma história única. São Paulo: Companhia das Letras, 2019.

ALMEIDA, Sílvio Luiz de. Racismo estrutural. São Paulo: Jandaíra, 2020.

DAVIS, Angela. Mulheres, raça e classe. Candiani, Heci Regina. São Paulo: Boitempo, 2016.

HERNÁNDEZ, Fernando. Catadores da Cultura Visual – proposta para uma nova narrativa educacional. Porto Alegre: Mediação, 2007.

MARTINS, Leda Maria. Performances do tempo espiralar, práticas do corpo-tela. Rio de Janeiro: Cobogó, 2021.

MOMBAÇA, Jota, 1991. Não vão nos matar agora. Rio de Janeiro: Cobogó, 2021

Brenda Oelbaum, The Venus of Fonda, 2010. Escultura com páginas de publicaçõ es de dieta e exercícios da atriz Jane Fonda. Fotografia: Amanda Nichol Rogers.

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Published

10-01-2024

How to Cite

Nunes, M. M., & Zanin, L. F. (2024). Castiel Vitorino Brasileiro: visuals about gender and race. Farol, 19(28), 70–80. https://doi.org/10.47456/rf.v19i28.43446

Issue

Vol. 19 No. 28 (2023)

Section

Seção Temática

License

The authors of works submitted to Revista Farol authorize their publication in physical and electronic media, solely for academic purposes, and may be reproduced as long as the source is cited. They attest to their originality, authorship and originality.

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