From the chest of the skin and Yorùbáiano
reflections on art as a place of existence
DOI:
https://doi.org/10.47456/rf.v19i28.43448Keywords:
Coletivo Rachadura Visual, Ayrson Heráclito, Yorùbáiano, existências mínimasAbstract
From the chest of skin, video installation by the collective Rachadura Visual and Yorùbáiano by Ayrson Heráclito is a work and exhibition that confronts Christianity while defending the existence of queer, black bodies and the sacred Afro-Brazilian. Associated with the theories of Georges Didi-Huberman, David Lapoujade and Étienne Souriau, the article will understand artists as lawyers and funambulists who give the existences raised in their artistic creations the right to be real, placing art as the possible place to maintain and guarantee certain modes of existence.
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References
CAMPOS, Marcelo et al. Ayrson Heráclito: Yorùbáiano. São Paulo: Pinacoteca do Estado, 2022.
DIDI-HUBERMAN, Georges. Sobrevivência dos Vaga-Lumes. Belo Horizonte: UFMG, 2011.
___________. Sobre o fio. Trad. Fernando Scheibe. Desterro: Cultura e Barbárie, 2019.
LAPOUJADE, David. As existências mínimas. São Paulo: N-1 Edições, 2017.
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