Cartography of Resistance

Amplifying Female Voices and Narratives

Authors

DOI:

https://doi.org/10.47456/rf.v20i30.44006

Keywords:

Visual arts , Art Teaching

Abstract

The exhibition “Fratura”, which was on display from September to November 2024 at Galeria Homero Massena, by artist Geisa da Silva, brings out the complexities of women's stories over time and how these stories, when revealed, raise significant questions about the visibility of forgotten and silenced narratives. Exploring how women's stories can be reconstructed through cartography, connecting points of intersection across different historical periods and geographies, offers an opportunity to understand the complexities of their experiences and identities.

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Author Biographies

Geisa Katiane da Silva , UFES

PhD student in Arts at the Federal University of Espírito Santo (UFES), Professor of Arts at the State Department of Education (SEDU). His research and creation focus is on the connections between art and cartography, with an emphasis on spaces of memory and the theme of violence. She exhibited the work “Travessia” at Parque das Esculturas – Casa do Governador (Vila Velha / ES). She is the creator of the "Singu (lares)" project, which offers artistic training for students from public schools in Espírito Santo.

Stela Maris Sanmartin , PPGA-UFES

Post-doctorate in Developmental and School Psychology from the Postgraduate Program in Development and Education Processes, PGPDE at the University of Brasília, Psychology of Creativity area (2022), PhD in Education from USP (2013), member of the Advanced Institute of Total Applied Creativity IACAT, Santiago de Compostela, Spain; future president of the Brazilian Association of Creativity and Innovation CRIAbrasilis; member of the National Editorial Board of the Ibero-American Journal of Creativity and Innovation RECRIAI (Iberoamerican Journal of Creativity and Innovation) and of the Innovation Advisory Chamber of FAPES/ES

References

BESSE, Jean-Marc. Ver a terra: seis ensaios sobre a paisagem e a geografia. Tradução de Vladimir Bartalini. São Paulo: Perspectiva, 2014.

COSGROVE, Denis. Art and Mapping: An Introduction. In: Cartographic Perspectives. Number 53, Winter 2006.

WOLLHEIM, Richard. A pintura como arte. São Paulo: Cosac & Naify, 2002.

TIBERGHIEN, Gilles. Imaginário cartográfico na arte contemporânea sonhar o mapa nos dias de hoje. In: Revista do Instituto de Estudos Brasileiros, São Paulo, n. 57, p. 233-252, dez. 2013.

Capa da edição de número trinta. Detalhe de pintura a óleo com fortes pinceladas em azul na parte inferior e branco na superior. Sobre o azul, letras formam palavras indistintas.

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Published

27-08-2024

How to Cite

Silva , G. K. da, & Sanmartin , S. M. (2024). Cartography of Resistance: Amplifying Female Voices and Narratives. Farol, 20(30), 71–76. https://doi.org/10.47456/rf.v20i30.44006

Issue

Vol. 20 No. 30 (2024)

Section

Seção Temática

License

Copyright (c) 2024 Geisa Katiane da Silva , Stela Maris Sanmartin

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