Drifts, resistances, arts in/through the Anthropocene

Authors

DOI:

https://doi.org/10.47456/rf.v20i31.46852

Keywords:

apresentação, seção temática, antropoceno

Abstract

We are experiencing a trans-global process of instability that affects several areas of human and non-human social experience and action. Thus, when we think about a dynamic of deconstruction of the Anthropocene era, we are, in fact, favoring a more comprehensive understanding around processes of individual and collective identity (re)construction, including aspects such as ecofeminism, multidimensional ecosystems, migrations, colonialism and decolonial thought, climate change, extractivism, among others, surrounding a whole diversity of dynamics that have the arts as their most perennial and (re)founding focus of expression. The artistic drifts and resistances in/through the Anthropocene presented here result from the convergence, communication and exchange in the areas of sociology, anthropology, cultural economics, cultural studies, urban studies, artistic education, humanities, architecture, art history, among others.

Downloads

Download data is not yet available.

Author Biography

Paula Guerra, Universidade do Porto / Griffith Center for Social and Cultural Research, Austrália

Associate Professor of Sociology at the University of Porto and Researcher at the Institute of Sociology of the same university. Paula is an Adjunct Associate Professor at the Griffith Centre for Social and Cultural Research at Griffith University in Australia. She is also a researcher at CITCEM – Transdisciplinary Research Centre for Culture, Space and Memory, at the Centre for Studies in Geography and Spatial Planning (CEGOT) and at DINÂMIA'CET – Iscte, Centre for Studies on Socioeconomic Change and Territory. She is the founder/coordinator of Rede Todas as Artes: Luso-Afro-Brazilian Network for the Sociology of Culture and the Arts and of KISMIF (kismifconference.com and kismifcommunity.com). She is the president of the International Association for the Study of Popular Music (IASPM) Portugal and vice-chair of the Research Network for the Sociology of Art of the European Sociological Association. Paula is Editor-in-Chief (with Andy Bennett) of SAGE DIY's magazine, Alternative Cultures and Society.

References

ARTAXO, Paulo. Uma nova era geológica em nosso planeta: o Antropoceno?. Revista Usp, 2014, n.º 103, pp. 13-24.

BOUDIEU, Pierre. A distinção: crítica social do julgamento. Tradução de Daniela Kern. São Paulo: Edusp, 2007.

FREIRE, Paulo. Pedagogia do oprimido. 17. ed. Rio de Janeiro: Paz e Terra, 1987.

GUERRA, Paula. Uma nova era geológica em nosso planeta: o Antropoceno?. East European Journal of Society and Politics, 2024, 9(3), pp. 44-60.

GUERRA, Paula. DIY, fanzines and ecofeminism in the Global South: ‘This city is my sister’. DIY, Alternative Cultures & Society, 2023, 1(3), doi https://doi.org/10.1177/27538702231211062.

GUERRA, Paula. Sul, Sertão e Flores: uma propedêutica necessária para compreender as manifestações artísticas contemporâneas do Sul Global. Anos 90, 2022, 29, pp. 1–15.

GUERRA, Paula. Uma Lisboa só dele(s). Processos artivistas de recriação de paisagens sonoras contemporâneas. PerCursos, Florianópolis. Dossiê A vertigem das artes no Sul global, 2021, 22(50), pp. 15 - 42.

HARAWAY, Donna. Staying with the Trouble: Making Kin in the Chthulucene. Durham: Duke University Press, 2016.

LATOUR, Bruno. Facing Gaia: Eight Lectures on the New Climatic Regime. Cambridge: Polity Press, 2017.

MBEMBE, Achille. Necropolítica. Tradução de Renata Santini. São Paulo: N-1 Edições, 2018.

MERCHANT, Carolyn. The Death of Nature: Women, Ecology, and the Scientific Revolution. San Francisco: Harper & Row, 1980.

SHIVA, Vandana. Staying Alive: Women, Ecology, and Development. London: Zed Books, 1988.

WILLIAMS, Raymond. Marxismo e literatura. Tradução de Waltensir Dutra. Rio de Janeiro: Zahar, 1979.

Ilustração em tons de verde e preto de busto de mulher com óculos escuros e duas faixas rosa caindo na frente dos óculos e atravessando a imagem até a parte inferior. Na parte superior, lê-se os créditos da revista em branco. Na parte inferior, o logo da Farol.

Downloads

Published

28-12-2024

How to Cite

Guerra, P. (2024). Drifts, resistances, arts in/through the Anthropocene. Farol, 20(31), 38–43. https://doi.org/10.47456/rf.v20i31.46852

Issue

Vol. 20 No. 31 (2024)

Section

Seção Temática

License

Copyright (c) 2024 Paula Guerra

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

The authors of works submitted to Revista Farol authorize their publication in physical and electronic media, solely for academic purposes, and may be reproduced as long as the source is cited. They attest to their originality, authorship and originality.