When violence touches

the soundscape in the reception of the work of art

Authors

DOI:

https://doi.org/10.47456/rf.v20i31.47180

Keywords:

paisagem sonora, escuta ativa, Marcelo Gandini

Abstract

Can the ambient sound of an exhibition space influence the apprehension of the work of art? Through Schafer (1977) with his concept of soundscape - and supported by Cage (1961) in his concept of active listening Cage (1961) -, we will engage in an interlocution with the exhibition “Projéteis” (2009) by Marcelo Gandini. The sound becomes an active part of the work, creating an immersive environment that goes beyond visuality, promoting a deeper interaction with the space and intensifying the aesthetic and emotional experience of the work.

Author Biographies

  • Paula Guerra, Universidade do Porto/Griffith Center for Social and Cultural Research

    Associate Professor of Sociology at the University of Porto and Researcher at the Institute of Sociology of the same university. Paula is an Adjunct Associate Professor at the Griffith Centre for Social and Cultural Research at Griffith University in Australia. She is also a researcher at CITCEM – Transdisciplinary Research Centre for Culture, Space and Memory, at the Centre for Studies in Geography and Spatial Planning (CEGOT) and at DINÂMIA'CET – Iscte, Centre for Studies on Socioeconomic Change and Territory. She is the founder/coordinator of Rede Todas as Artes: Luso-Afro-Brazilian Network for the Sociology of Culture and the Arts and of KISMIF (kismifconference.com and kismifcommunity.com). She is the president of the International Association for the Study of Popular Music (IASPM) Portugal and vice-coordinator of the Research Network for the Sociology of Art of the European Sociological Association. Paula is Editor-in-Chief (with Andy Bennett) of SAGE DIY's magazine, Alternative Cultures and Society.

  • Jaqueline Torquatro de Oliveira , CAPES/UFES

    Bachelor of Architecture and Urbanism from the Federal University of Espírito Santo (2013), undergraduate in the Bachelor's degree in Fine Arts at UFES and master's degree in Arts at the same institution; researcher at the Laboratory of Extension and Research in Arts at UFES, LEENA, focusing on research and cataloging of public art in Espírito Santo; CAPES scholarship holder.

  • Jovani Dala , CAPES/UFES

    Master's student in the Postgraduate Program in Arts at the Federal University of Espírito Santo, CAPES Scholarship holder, Bachelor in Fine Arts (2022) from the Federal University of Espírito Santo, Bachelor in Arts (2023) from UNIASSELVI. Member of the artistic collective Ato Falho. Researcher in the groups: Landscape Studies Research and Extension Group (GPEEP), Creative Processes in Engraving and at LEENA - Extension and Research Laboratory in Arts.

  • Rosely Kumm, FAPES/UFES

    Artist, graduated in Visual Arts from UFES, art educator and researcher at the Extension and Research Laboratory in Arts - LEENA/UFES.

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Ilustração em tons de verde e preto de busto de mulher com óculos escuros e duas faixas rosa caindo na frente dos óculos e atravessando a imagem até a parte inferior. Na parte superior, lê-se os créditos da revista em branco. Na parte inferior, o logo da Farol.

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Published

28-12-2024

Issue

Vol. 20 No. 31 (2024)

Section

Seção Temática

License

Copyright (c) 2024 Paula Guerra, Jaqueline Torquatro de Oliveira , Jovani Dala , Rosely Kumm

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How to Cite

When violence touches: the soundscape in the reception of the work of art. (2024). Farol, 20(31), 44-64. https://doi.org/10.47456/rf.v20i31.47180