L'image de la bombe

Auteurs

DOI :

https://doi.org/10.47456/rf.v19i29.43550

Mots-clés :

experiência trinity, imagens da guerra, bomba atômica

Résumé

Cet article cherche à étudier la production d’images entourant la bombe atomique, en particulier sa première détonation, l’expérience Trinity. Elle a été réalisée à titre test sur le sol américain, quelques semaines avant les bombardements d'Hiroshima et de Nagasaki. Il s'agit d'une étude qui vise également à analyser la manière dont l'expérience a été communiquée par le gouvernement du pays, ainsi que son accueil auprès de la population.

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Biographie de l'auteur

Lucas Murari, UFRJ

Chercheur en cinéma expérimental et en art d'avant-garde. Doctorat en Communication et Culture de l'École de Communication de l'Université Fédérale de Rio de Janeiro, avec une alternance à l'Université Sorbonne Nouvelle - Paris 3 (bourse PDSE/CAPES). Master de PPGCOM/UFRJ (2015). Licence en cinéma et vidéo de la Faculté des Arts du Paraná. Il est rédacteur en chef de Revista Eco-Pós (UFRJ). Il a de l'expérience dans le domaine du cinéma, de la communication et des arts.

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Publiée

20-02-2024

Comment citer

Murari, L. (2024). L’image de la bombe. Farol, 19(29), 128–143. https://doi.org/10.47456/rf.v19i29.43550

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Seção Temática