Enfoques musicales ubicuos de la segunda ola para compartir conocimientos
DOI:
https://doi.org/10.47456/rf.v19i28.43454Palabras clave:
second-wave ubiquitous music, knowledge sharing, jam2jam, time taggingResumen
Este artículo describe dos entornos musicales ubicuos (ubimus) que fomentan la creación de conocimiento y el intercambio de recursos. Los diseños propuestos abordan el apoyo a la producción de conocimiento teniendo en cuenta la naturaleza incorporada e incorporada de la actividad musical y los aspectos comunitarios de compromisos mutuos significativos. El primer caso trata sobre implementaciones del sistema jam2jam en entornos educativos formales e informales, enfatizando el papel de la escucha como estrategia para la generación de conocimiento. El segundo ejemplo se centra en el diseño de una metáfora de creatividad-acción que utiliza señales sonoras ambientales para la toma de decisiones estéticas: el etiquetado del tiempo. Colocamos el problema del intercambio de conocimientos dentro del contexto de los enfoques teóricos actuales de la creatividad. Los resultados indican que las actividades musicales creativas pueden implicar el uso de señales ambientales e interacciones sociales intensas. Estos aspectos deben abordarse al diseñar tecnologías de apoyo a la acción creativa.
Descargas
Citas
ADKINS, B., DILLON, S., BROWN, A. R., HIRCHE, K., GIBBONS, C. The Role of Generative Arts in Supporting Cultural Participation: A conceptualisation of the jam2jam network Jamming Tool. In M. Docherty,
S. Kenderdine, T. Wyeld (eds.), 13th International Conference on Virtual Systems and Multimedia (VSMM) (pp. 1–9). Brisbane: The International Society on Virtual Systems and MultiMedia, 2007. http:// australia.vsmm.org/proceedings.htm
BEGHETTO, R. A., KAUFMAN, J. C. Toward a broader conception of creativity: A case for “mini-c” creativity, Psychology of Aesthetics Creativity and the Arts 1:2, 2007, pp. 73-79.
BOWN, O., ELDRIDGE, A., MCCORMACK, J. Understanding interaction in contemporary digital music: From instruments to behavioural objects, Organised Sound 14, 2009, pp. 188-196.
BROWN, A. R., Modesof Compositional Engagement. Mikropolyphony 6, 2000. http://pandora.nla.gov.au/
pan/10054/20021007-0000/farben.latrobe.edu.au/mikropol/volume6/brown_a/brown_a.html
BROWN, A. R. Engaging in a sound musicianship. In G. McPherson (ed.), The Child as Musician: A handbook of Musical Development (pp. 208–220). New York: Oxford University Press, 2015.
BROWN, A. R., DILLON, S. Meaningful Engagement with Music Composition. In David Collins, ed., The Act of Musical Composition: Studies in the Creative Process (pp. 79-110). Surrey, UK: Ashgate, 2012.
BROWN, A. R., STEWART, D., HANSEN, A., STEWART, A. Making meaningful musical experiences accessible using the iPad, In Keller, D., Lazzarini, V., Pimenta, M. S., eds., Ubiquitous Music, Heidelberg Berlin: Springer International Publishing, 2014, pp. 65-8.
CARROLL, E. A., LATULIPE, C., FUNG, R., TERRY, M. Creativity factor evaluation: Towards a standardized survey metric for creativity support, In Proceedings of the Seventh ACM Conference on Creativity and Cognition, Berkeley, CA: ACM, Berkeley, CA, 2009, pp. 127-136.
COSTALONGA, L. et al. The Ragpicking DMI Design: The case for green computer music. 10th International Conference on Digital and Interactive Arts. 2021.
DEWEY, J. Art as Experience. New York: Putmans, 1934.
DILLON, S. C. Music is a wordless knowing of others: Resilience in virtual ensembles, In A. Brader (ed.), Songs of Resilience (pp. 239-254). Newcastle upon Tyne: Cambridge Scholars Publishing, 2011.
FARIAS, F. M., KELLER, D., PINHEIRO DA SILVA, F., PIMENTA, M. S., LAZZARINI, V., LIMA, M. H., COSTALONGA, L., JOHANN, M. Everyday musical creativity support: mixDroid second generation (Suporte para a criatividade musical cotidiana: mixDroid segunda geração), In Keller, D., Lima,
M. H. and Schiavoni, F., eds., Proceedings of the V Workshop on Ubiquitous Music (V UbiMus). Vitória, ES: Ubiquitous Music Group, 2014.
GRANT, K. A. Tacit knowledge revisited – We can still learn from Polanyi, The Electronic Journal of Knowledge Management 5)2), 2007, pp 173-180, http://www.ejkm.com.
KAUFMAN, J. C., BEGHETTO, R. A. Beyond big and little: The four c model of creativity, Review of General Psychology 13(1), 2009, pp. 1-12.
KELLER, D. Everyday musical creativity. In Ubiquitous Music Ecologies, London: Routledge, 2020, pp. 23-51.
KELLER, D., ALIEL, L., FILHO, M. C. & COSTALONGA, L. Toward Ubimus Philosophical Frameworks. Open Philosophy 4(1), 2021, pp. 353–371.
KELLER, D., BARREIRO, D. L., QUEIROZ, M., PIMENTA, M. S. "Anchoring in ubiquitous musical activities", In Proceedings of the International Computer Music Conference, Ann Arbor, MI: MPublishing, University of Michigan Library, 2010, pp. 319-326.
KELLER, D., CAPASSO, A., TINAJERO, P., FLORES, L. V., PIMENTA, M. S. Green Canopy: On The Road [Ubiquitous Music Work] In Proceedings of XII Brazilian Symposium on Computer Music (SBCM 2009), Porto Alegre, RS: SBC, 2009.
KELLER, D., FERREIRA, E., PINHEIRO DA SILVA, F., LIMA, M. H., PIMENTA, M. S., LAZZARINI, V. Everyday musical creativity: An exploratory study with vocal percussion (Criatividade musical cotidiana: Um estudo exploratório com sons vocais percussivos) In Proceedings of the National Association of Music Research and Post-Graduation Congress - ANPPOM, Natal, RN: ANPPOM, 2013.
KELLER, D., FLORES, L. V., PIMENTA, M. S., CAPASSO, A., TINAJERO, P. Convergent trends toward ubiquitous music, Journal of New Music Research 40(3), 2011, pp. 265-276.
KELLER, D. & LAZZARINI, V. Theoretical approaches to musical creativity: The ubimus perspective. Musica Theorica 2(1), 2017, pp. 1-53.
KELLER, D., LAZZARINI, V., PIMENTA, M. S. (eds.) Ubiquitous Music, Vol. XXVIII, Berlin and Heidelberg: Springer International Publishing, 2014a. (ISBN: 978- 3-319-11152-0.)
KELLER, D., LAZZARINI, V. & PIMENTA, M. S. Ubimus through the lens of creativity theories. In Damián Keller, Victor Lazzarini and Marcelo S. Pimenta, eds., Ubiquitous Music, Berlin and Heidelberg: Springer International Publishing, 2014, pp. 3-23.
KELLER, D., LIMA, M. H. Supporting everyday creativity in ubiquitous music making, In Kostagiolas, P., Martzoukou, K. and Lavranos, C., eds., Trends in Music Information Seeking, Behavior, and Retrieval for Creativity. Vancouver, BC: IGI Global Press, 2015.
KELLER, D., MILETTO, E. M., OTERO, N. Creative surrogates: Supporting decision-making in ubiquitous musical activities, In Proceedings of the 3rd International Conference on Computation, Communication, Aesthetics and X (xCoAx 2015), Glasgow, Scotland: xCoAx, 2015.
KELLER, D., PINHEIRO DA SILVA, F., GIORNI, B., PIMENTA, M. S., QUEIROZ, M. Spatial tagging: an exploratory study (Marcação espacial: estudo exploratório), In Costalonga, L., Pimenta, M. S., Queiroz, M., Manzolli, J., Gimenes, M., Keller, D., Farias, R. R., eds., Proceedings of the 13th Brazilian Symposium on Computer Music (SBCM 2011), Vitória, ES: SBC, 2011b.
KELLER, D., TIMONEY, J., COSTALONGA, L., CAPASSO, A., TINAJERO, P., LAZZARINI, V., PIMENTA, M. S., LIMA, M. H., JOHANN, M. Ecologically grounded multimodal design: The Palafito 1.0 study. In Proceedings of the International Computer Music Conference (ICMC 2014), Ann Arbor, MI: MPublishing, University of Michigan Library, 2014b.
KOZBELT, A., BEGHETTO, R. A., RUNCO, M. A. Theories of creativity, In Kaufman, J. C., Sternberg, R. J., eds., The Cambridge Handbook of Creativity. Cambridge, UK: Cambridge University Press, 2010, pp. 20-47.
LAZZARINI, V., YI, S., TIMONEY, J., KELLER, D., PIMENTA, M. S. The Mobile Csound Platform, In Proceedings of the International Computer Music Conference, ICMA, Ann Arbor, MI: MPublishing, University of Michigan Library, 2012, pp. 163-167.
LIMA, M. H., KELLER, D., PIMENTA, M. S., LAZZARINI, V., MILETTO, E. M. Creativity-centred design for ubiquitous musical activities: Two case studies, Journal of Music, Technology and Education 5(2), 2012, pp. 195-222.
MESSINA, M., KELLER, D., ALIEL, L., GOMEZ, C., FILHO, M. C. & SIMURRA, I. The Internet of Musical Stuff (IoMuSt): ubimus perspectives on artificial scarcity, virtual communities and (de)objectification. INSAM: Journal of Contemporary Music, Art and Technology 9, 2022, pp. 26–50.
PINHEIRO DA SILVA, F., KELLER, D., FERREIRA, E., PIMENTA, M. S., LAZZARINI, V. Everyday musical creativity: Exploratory study of ubiquitous musical activities (Criatividade musical cotidiana: Estudo exploratório de atividades musicais ubíquas), Música Hodie 13, 2013, pp. 64-79.
POLANYI, M. Personal Knowledge: Towards a Post- critical Philosophy, London: Routledge, 1958.
RADANOVITSCK, E. A. A., KELLER, D., FLORES, L. V., PIMENTA, M. S., QUEIROZ, M. mixDroid: Time tagging for creative activities (mixDroid: Marcação temporal para atividades criativas), In Costalonga, L., Pimenta,
M. S., Queiroz, M., Manzolli, J., Gimenes, M., Keller, D., Faria, R. R., eds., Proceedings of the XIII Brazilian Symposium on Computer Music (SBCM 2011), Vitória, ES: SBC, 2011.
RICHARDS, R., KINNEY, D., BENET, M., MERZEL, A. Assessing everyday creativity: Characteristics of the lifetime creativity scales and validation with three large samples, Journal of Personality and Social Psychology 54, 1988, pp. 476-485.
SIMONTON, D. K. History, chemistry, psychology, and genius: An intellectual autobiography of historiometry, In Runco, M. A., Albert, R. S., eds., Theories of Creativity, Newbury Park, CA: Sage, 1990, pp. 92-115.
WESSEL, D., WRIGHT, M. Problems and prospects for intimate musical control of computers, Computer Music Journal (26:3), 2002, pp. 11-22.
Descargas
Publicado
Cómo citar
Número
Sección
Licencia
Los autores de los trabajos enviados a Revista Farol autorizan su publicación en soporte físico y electrónico, únicamente con fines académicos, y podrán ser reproducidos siempre que se cite la fuente. Dan fe de su originalidad, autoría y originalidad.
