The world of heroes in the archaic hexametric poetry
DOI:
https://doi.org/10.17648/rom.v0i2.7409Keywords:
Epic Poetry, Homer, Heroes, Hesiod, TraditionAbstract
A discussion regarding the world presented by the Homeric poems depends on discussion on the poems’ poetics and how they can be pinned down in a wider tradition, early Greek hexametric poetry. In this paper I tackle the issue of how this tradition handles the heroic world as both near to and far from the world of the audience.
Downloads
References
Documentação primária impressa
ARISTOPHANIS. Fabulae. Edited by N. G WILSON. Oxford: Clarendon Press, 2007. v. 2.
HESÍODO. Trabalhos e dias. Tradução de Christian Werner. São Paulo: Hedra, 2013.
HOMERUS. Ilias. Edited by H. van THIEL. Hildesheim/Zürick/New York: Olms, 2010.
HOMERUS. Odyssea. Edited by H. van THIEL. Hildesheim: Olms, 1991.
Obras de apoio
ALLAN, W. Epic heroes in tragedy: genre, ethics, and the fifth-century community. In: WERNER, C.; SEBASTIANI, B. B. (Org.) Gêneros poéticos na Grécia antiga: confluências e fronteiras. São Paulo: Humanitas (no prelo).
ANDERSEN, Ø.; HAUG, D. T. T. (Org.) Relative chronology in early Greek epic poetry. Cambridge: Cambridge University Press, 2012.
BAKKER, E. The meaning of meat and the structure of the Odyssey. Cambridge: Cambridge University Press, 2013.
BAKKER, E. J. Pointing to the past: from formula to performance in Homeric poetics. Cambridge: Center for Hellenic Studies, 2005.
BAUMAN, R. Verbal art as performance. Rowley: Newbury House Publishers, 1977.
BERNSDORFF, H. Halbgötter auf der Flucht – Zu P. Oxy. 4708 (Archilochos?). Zeitschrift für Papyrologie und Epigraphik, v. 158, p. 1-7, 2006.
BLAISE, F.; JUDET DE LA COMBE, P.; ROUSSEAU, P. (Org.) Le métier du mythe: lectures d’ Hésiode. Lille: Presses Universitaires du Septentrion, 1996.
BLAISE, F.; ROUSSEAU, P. La guerre (Théogonie, v. 617-720). In: BLAISE, F.; JUDET DE LA COMBE, P.; ROUSSEAU, P. (Org.) Le métier du mythe: lectures d’ Hésiode. Lille: Presses Universitaires du Septentrion, 1996, p. 213-34.
BUDELMANN, F.; HAUBOLD, J. Reception and tradition. In: HARDWICK, L.; STRAY, C. (Org.) A companion to classical receptions. Malden: Wiley-Blackwell, 2008, p. 13-25.
BURGESS, J. S. The tradition of the Trojan War in Homer and the Epic Cycle. Baltimore: Johns Hopkins University Press, 2001.
CALAME, C. The authority of Orpheus, poet and bard: between tradition and written practice In: MITSIS, P.; TSAGALIS, C. (Org.) Allusion, authority, and truth: critical perspectives on Greek poetic and rhetorical praxis. Trends in classics: supplementary volumes. Berlin: de Gruyter, 2010.
CALAME, C. Succession des âges et pragmatique poétique de la justice: le récit hésiodique des cinq espèces humaines. Kernos, v. 17, p. 67-102, 2004.
CINGANO, E. The Hesiodic corpus. In: MONTANARI, F.; RENGAKOS, A.; TSAGALIS, C. (Org.) Brill’s companion to Hesiod. Leiden: Brill, 2009, p. 91-130.
CINGANO, E. A catalogue within a catalogue: Helen’s suitors in the Hesiodic catalogue of women (frr. 196-204). In: HUNTER, R. (Org.) The Hesiodic catalogue of women. Cambridge: Cambridge University Press, 2005, p. 118-52.
CLAY, J. S. Homer's Trojan theatre: space, vision, and memory in the Iliad. Cambridge: Cambridge University Press, 2011a.
CLAY, J. S. The Homeric hymns as genre. In: FAULKNER, A. (Org.) The Homeric Hymns: interpretative essays. Oxford: Oxford University Press, 2011b, p. 232-53.
CLAY, J. S. Politics of Olympus: form and meaning in the major Homeric hymns. London: Duckworth, 2006.
CLAY, J. S. Hesiod’s cosmos. Cambridge: Cambridge University Press, 2003.
CRIELAARD, J. P. Past or present? Epic poetry, aristocratic self-representation and the concept of time in the eighth and seventh centuries BC. In: MONTANARI, F. (Org.) Omero tremila anni dopo. Roma: Edizioni di Storia e Letteratura, 2002, p. 294-96.
CURRIE, B. Heroes and holy men in early Greece: Hesiod's theios aner. In: COPPOLA, A. (Org.) Eroi, eroismi, eroizzazioni dalla Grecia antica a Padova e Venezia. Padova: S.A.R.G.O.N., 2007, p. 162-92.
FAULKNER, A. The collection of Homeric Hymns: from the seventh to the third Centuries BC. In: FAULKNER, A. (Org.) The Homeric Hymns: interpretative essays. Oxford: Oxford University Press, 2011a, p. 175-205.
FAULKNER, A. (Org.) The Homeric Hymns: interpretative essays. Oxford: Oxford University Press, 2011b.
FINKELBERG, M. (Org.) The Homer encyclopedia. Malden: Wiley-Blackwell, 2011a. v. 3.
FINKELBERG, M. Homer and his peers: Neoanalysis, Oral Theory and the status of Homer. Trends in Classics, v. 3, p. 197-208, 2011b.
FORD, A. Epic as genre. In: MORRIS, I.; POWELL, B. (Org.) A new companion to Homer. Leiden: Brill, 1997, p. 396-414.
FORD, A. Homer: the poetry of the past. Ithaca: Cornell University Press, 1992.
GRAZIOSI, B. Inventing Homer: the early reception of epic. Cambridge: Cambridge University Press, 2002.
GRAZIOSI, B. Competition in wisdom. In: BUDELMANN, F.; MICHELAKIS, P. (Org.) Homer, tragedy and beyond: essays in honour of P. E. Easterling. London: Society for the Promotion of Hellenic Studies, 2001, p. 57-74.
GRAZIOSI, B.; HAUBOLD, J. Homer: the resonance of epic. London: Duckworth, 2005.
GRETHLEIN, J. Das Geschichtsbild der Ilias: Eine Untersuchung aus phänomenologischer und narratologischer Perspektive. Göttingen: Vandenhoeck & Ruprecht, 2006.
GRETHLEIN, J. Homer and heroic history. In: MARINCOLA, J. et al. (Org.) Greek notions of the past in the Archaic and Classical eras: history without historians. Edinburgh: Edinburgh University Press, 2012, p. 14-36.
GRETHLEIN, J. From ‘imperishable glory’ to History: the Iliad and the Trojan War. In: KONSTAN, D.; RAAFLAUB, K. A. (Org.) Epic and history. Oxford: Blackwell, 2010, p. 122-44.
HUNTER, R. (Org.) The Hesiodic Catalogue of Women. Cambridge: Cambridge University Press, 2005.
IRWIN, E. Gods among men? The social and political dynamics of the Hesiodic Catalogue of Women. In: HUNTER, R. (Org.) The Hesiodic Catalogue of Women. Cambridge: Cambridge University Press, 2005, p. 35-84.
JANKO, R. The Homeric poems as oral dictated texts. Classical Quarterly, v. 48, p. 1 13, 1998.
KOLLER, H. ἔπος. Glotta, v. 50, p. 16-24, 1972.
KONING, H. Hesiod: The other poet. Ancient reception of a cultural icon. Leiden: Brill, 2010.
KRISCHER, T. Die Elegie des Kallinos. Hermes, v. 107, p. 385-89, 1979.
MACKIE, C. J. Rivers of fire: mythic themes in Homer’s Iliad. Washington: New Academia, 2008.
MARKS, J. ἀρχοὺς αὖ νεῶν ἐρέω: a programmatic function of the Iliadic Catalogue of Ships. In: MONTANARI, F.; RENGAKOS, A.; TSAGALIS, C. (Org.) Homeric contexts: Neoanalysis and the interpretation of oral poetry. Trends in Classics, Supplementary Volumes 12. Berlin: de Gruyter, p. 101-14, 2012.
MARKS, J. Inset narratives in the epic cycle. KARAKANTZA, E. (Org.) Classics@, v. 6. Washington: Center for Hellenic Studies of Harvard University, Dezembro, 2010.
MARTIN, R. Hesiod and the didactic double. Synthesis v. 11, 2004, p. 31-54.
MARTIN, R. Rhapsodizing Orpheus. Kernos, v. 14, p. 23-34, 2001.
MARTIN, R. The language of heroes: speech and performance in the Iliad. Ithaca: Cornell University Press, 1989.
MONTANARI, F.; RENGAKOS, A.; TSAGALIS, C. (Org.) Homeric contexts: Neoanalysis and the interpretation of oral poetry. Trends in Classics Supplementary Volumes 12. Berlin: de Gruyter, 2012.
MONTANARI, F.; RENGAKOS, A.; TSAGALIS, C. (Org.) Brill’s companion to Hesiod. Leiden: Brill, 2009.
MORRIS, I. The use and abuse of Homer. Classical Antiquity, v. 5, p. 81-134, 1986.
MOST, G. W. Hesiod’s myth of the five (or three or four) races. Proceedings of the Cambridge Philological Society, v. 43, p. 104-27, 1997.
MUELLNER, L. C. The anger of Achilles: mênis in Greek epic. Ithaca: Cornell University Press, 1996.
MURRAY, O. Herodotus and oral history. In: LURAGHI, N. (Org.) The historian‘s craft in the age of Herodotus. Oxford: Oxford University Press, 2001.
NAGY, G. Signs of hero cult in Homeric poetry. In: MONTANARI, F.; RENGAKOS, A.; TSAGALIS, C. (Org.) Homeric contexts: Neoanalysis and the interpretation of oral poetry. Trends in Classics, Supplementary Volumes 12. Berlin: de Gruyter, p. 27-74, 2012.
NAGY, G. Homer the preclassic. Berkeley/Los Angeles/London: University of California Press, 2010.
NAGY, G. Homer the classic. Washington: Center for Hellenic Studies, 2009.
NAGY, G. Homeric poetry and problems of multiformity: the ‘Panathenaic’ bottleneck. Classical Philology, v. 96, p. 109-19, 2001.
NAGY, G. The best of the Achaeans: concepts of the hero in archaic Greek poetry. Baltimore: Johns Hopkins University Press, 1979.
NÜNLIST, R. Hesiod. In: de JONG, I.; NÜNLIST, R.; BOWIE, A. (Org.) Narrators, narrates and narratives in ancient Greek literature. Leiden: Brill, 2004, p. 25-34.
OBBINK, D. A new Archilochus poem. Zeitschrift für Papyrologie und Epigraphik, v. 156, p. 1-9, 2006.
PARKER, R. On Greek religion. Ithaca/London: Cornell University Press, 2011.
PORTER, J. Making and unmaking: the Achaean wall and the limits of fictionality in Homeric criticism. Transactions and proceedings of the American Philological Association, v. 141, p. 1-36, 2011.
PUCCI, P. The poetry of the Theogony. In: MONTANARI, F.; RENGAKOS, A.; TSAGALIS, C. (Org.) Brill’s companion to Hesiod. Leiden: Brill, 2009, p. 37-70.
RENGAKOS, A. Hesiod's narratives. In: MONTANARI, F.; RENGAKOS, A.; TSAGALIS, C. (Org.) Brill’s companion to Hesiod. Leiden: Brill, 2009, p. 203-18.
ROSE, P. W. Sons of the gods, children of Earth: ideology and literary form in Ancient Greece. Ithaca: Cornell University Press, 1992.
ROUSSEAU, P. Instruir Persès. Notes sur l’ouverture des Travaux d’Hésiode. In: BLAISE, F.; JUDET DE LA COMBE, P.; ROUSSEAU, P. (Org.) Le métier du mythe: lectures d’ Hésiode. Lille: Presses Universitaires du Septentrion, 1996, p. 93-168.
RUTHERFORD, I. The Catalogue of Women within the Greek epic tradition: allusion, intertextuality and traditional referentiality. In: ANDERSEN; HAUG (Org.) Relative chronology in early Greek epic poetry. Cambridge: Cambridge University Press, 2012, p. 152-67.
RUTHERFORD, I. Hesiod and the literary traditions of the Near East. In: MONTANARI, F.; RENGAKOS, A.; TSAGALIS, C. (Org.) Brill’s companion to Hesiod. Leiden: Brill, 2009, p. 9-36.
SARIAN, H. Culto heróico, cerimônias fúnebres e a origem dos Jogos Olímpicos. Classica, v. 9/10, p. 45-60, 1996/97.
SCODEL, R. Hesiod and the Epic Cycle. In: MONTANARI, F.; RENGAKOS, A.; TSAGALIS, C. (Org.) Homeric contexts: Neoanalysis and the interpretation of oral poetry. Trends in Classics, Supplementary Volumes 12. Berlin: de Gruyter, p. 501-15, 2012.
SNELL, B. (fundador) Lexikon des frühgriechischen Epos. Göttingen: Vandenhoeck & Ruprecht, 1955-2010. v. 4.
VAN WEES, H. From kings to demigods: epic heroes and social change c. 750-600 BC. In: DEGER-JALKTZY, S.; LEMOS, I. S. (Org.) Ancient Greece: from the Mycenaean palaces to the age of Homer. Edinburgh Leventis Studies 3. Edinburgh: Edinburgh University Press, 2006, p. 363-79.
WERNER, C.; COUTO PEREIRA, L. G. Vida 1 de Homero: a vida herodoteana. Classica (no prelo).
WERNER, C. A presença do ausente e a performance do kléos no canto I da Odisseia. In: BROSE, R. et al. (Org.) Oralidade, escrita e performance na Antiguidade. Fortaleza: Expressão Gráfica, 2013, p. 26-46.
WERNER, C. A ambigüidade do kleos na Odisséia. Letras clássicas, v. 5, p. 99-108, 2001.
WEST, M. L. Iambi et elegi graeci ante Alexandrum cantati. Volumen 2: Callinus Mimnermus Semonides Solon Tyrtaeus Minora Adespota. Oxford: Clarendon, 1972.
WHITMARSH, T. An I for an I: reading fictional autobiography. CentoPagine, v. 3, p. 56-66, 2009.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2014 Romanitas - Revista de Estudos Grecolatinos
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
a. The authors retain copyright and grant the journal the right to first publication.
b. The authors are authorized to assume additional contracts separately, for non-exclusive distribution of the version of the work published in this journal (e.g., publishing in institutional repository or as a book chapter), with acknowledgment of authorship and initial publication in this journal.
c. Authors are allowed and encouraged to publish and distribute their work online (e.g. in institutional repositories or on their personal page) after the first publication by the journal, with due credit.
d. The journal's texts are licensed under a CC BY 4.0 Deed Attribution 4.0 International Licence (CC BY).
