Vol. 15 No. 25 (2025)

Título da revista em preto, sobre fundo com recorte da imagem da obra de Chris Coutinho, "Névoa". A imagem mostra uma ilustração de tronco de árvore com barco ao fundo. A ilustração é feita em camadas semi transparentes de papel manteiga e tecido voal, o que torna as cores e formas enevoadas.

This edition of the Colóquio Journal is as extensive and varied as the previous one, which is related to the continuity of the publication and the opening of the doctorate in arts program at PPGA-UFES. This second point, however, does not mean that Colóquio will tend to close itself to receiving works only from graduate students or establishing any minimum limit on the number of titles for individual authors. We continue with our editorial policy focused on the breadth of voices and free research, both inside and outside the university. As can be seen in our previous editions, we prioritize the publication of a variety of works that explore the relationship between art, society and contemporary thought, in organizations that reveal an interdisciplinary dialogue between research. In this sense, our editorial process prioritizes the complexity of current cultural phenomena.

DOI: https://doi.org/10.47456/z46yhf13
Published: 27-06-2025

Full Issue

Articles

  • The “Beautiful” in monuments reflections on the aesthetics of the monument to Dona Domingas

    Fabíola Fraga Nunes, Giuliano de Miranda, Aparecido José Cirillo
    11-24
    DOI: https://doi.org/10.47456/gbesbj54

  • Listening to complexity

    Laetitia Kozlova
    25-37
    DOI: https://doi.org/10.47456/e40zv353

  • An alien spectator of the works "Sursum Corda" and "Walhalla", by Anselm Kiefer

    Samuel de Oliveira Costa
    38-55
    DOI: https://doi.org/10.47456/58xq4641

  • When the city teaches public art as a tool for educational inclusion

    Rosely Kumm
    56-71
    DOI: https://doi.org/10.47456/anwk8453

  • Matthew Barney and the art of restraint interactions between body, process and complexity

    Gilmar Monte
    71-86
    DOI: https://doi.org/10.47456/89zpep79

  • The rupture of the process of self-regulation and the predominance of male sexuality through homoerotic art

    Simão Pedro dos Santos
    87-102
    DOI: https://doi.org/10.47456/4yfjjw29

  • From research I make art the 4 creative feet

    Sarah Rodrigues Damiani, Stela Maris Sanmartin
    103-120
    DOI: https://doi.org/10.47456/g47skh07

  • Aesthetic hybridism and innovations in postmodern animated cinema

    Natacha de Souza
    121-138
    DOI: https://doi.org/10.47456/ng61c013

  • Curatorship and narratives telling stories of Brazilianness and cultures through exhibitions

    Sandra Regina Bastos
    139-152
    DOI: https://doi.org/10.47456/zr7kk663

  • Staying with the “trouble” researching dystopias at the end of the world

    Henrique Rodrigues Marques
    153-171
    DOI: https://doi.org/10.47456/rf6a1a05

  • Ask the Dreams A Cosmopolitics of Native Peoples for the Meaning of Life

    Luciano Tasso
    172-185
    DOI: https://doi.org/10.47456/26nrgj23

  • Salon in crisis tensions between tradition and rupture in the 1919 Salon

    Vanessa Pereira Vassoler, Almerinda da Silva Lopes
    186-200
    DOI: https://doi.org/10.47456/fn5xdw64

  • Cartographies of deviation interventions and symbolic disputes in “Espaço de Continuidade” (2016) and “La Bruja” (1981)

    João Victor Coser
    201-220
    DOI: https://doi.org/10.47456/m8ehzp78

Experience Report

  • The school is Also a Place for “La Ursa”!

    Jevison Santa Cruz
    222-233
    DOI: https://doi.org/10.47456/zk74hv93

Visual essays

  • Useless Landscape Dense and Opaque Drawings

    Carlos Eduardo Ferreira Paula
    235-250
    DOI: https://doi.org/10.47456/dp5ktk45

  • We Meet in Madness

    Isabella Lanave
    251-263
    DOI: https://doi.org/10.47456/93ajdt82

  • Entering the fog of the gaze

    Christiane de Souza Coutinho Orloski, Erick Orloski
    264-276
    DOI: https://doi.org/10.47456/ydrj7m20

Translations

  • Listening to complexity

    Laetitia Kozlova; Rodrigo Hipólito
    278-289
    DOI: https://doi.org/10.47456/ars3jv42