About the Journal

The Farol Journal is a biannual publication of the Graduate Program in Arts at the Federal University of Espírito Santo. As an academic initiative, connected to the field of Arts / Visual Arts, the journal is open to texts that aim to discuss the problem of formation and artistic, critical and historiographic assigned for the visual arts. It also strives to provide research experiences, which are open to the fields of knowledge, between consensus and dissent, in a contemporary context.

Current Issue

Vol. 21 No. 32 (2025)
View Vol. 21 No. 32 (2025)

This issue, rich in thematic and geographic diversity, offers a thought-provoking overview of contemporary concerns, inviting readers to delve into urgent debates about collective identity, public space, memory, and the complex relationships between society and the environment. This issue's Thematic Section, articulated around the First Symposium on Riverside Landscapes, constitutes a robust dossier dedicated to the dynamics of river and coastal cities. Coordinated by José Cirillo, it brings together research from Brazilian (UFES, USP), Portuguese (UCP Porto), and Spanish (Oviedo) institutions, critically exploring socio-spatial transformations in marginalized areas.

DOI: https://doi.org/10.47456/rf.rf.2132
Published: 28-07-2025

Full Issue

Ensaios

  • We, singular plural (fragments of a conversation)

    Rodrigo Rebelo Silva
    10-22
    DOI: https://doi.org/10.47456/rf.rf.2132.49313

Seção Temática

  • The Riverbanks in the Center

    José Cirillo
    24-25

  • The Leça da Palmeira Waterfront. Wanderings through time and space, toward Siza's "artequitecture"

    José Guilherme Abreu, Mário Mesquita
    DOI: https://doi.org/10.47456/rf.rf.2132.49255

  • Dimensions of water

    Vladimir Bartalini
    59-75
    DOI: https://doi.org/10.47456/rf.rf.2132.49256

  • Expanded Territory: Marcus Vinicius on Pólvora Island, Espírito Santo

    Rafael Gonçalves Marotto, José Cirillo
    76-89
    DOI: https://doi.org/10.47456/rf.rf.2132.49258

  • Against the Current: Art and Resistance on the Banks of the Santa Maria da Vitória River

    Marcelo Gandini, Jovani Dala
    90-106
    DOI: https://doi.org/10.47456/rf.rf.2132.49260

  • By the Sea, much more than a sculpture: Dominga!

    Fabíola Fraga Nunes , Rodrigo Vianna Campagnaro
    107-121
    DOI: https://doi.org/10.47456/rf.rf.2132.49273

  • The urban landscape of the capital in the first half of the 1970s, the port of Vitória, public monuments and Education, confluences

    Giuliano de Miranda, Sumika Soares de Freitas Hernandez-Piloto
    122-134
    DOI: https://doi.org/10.47456/rf.rf.2132.49274

  • From River Networks to Urban Networks: Notes on the Urban-Regional Dynamics of the Lower Rio Doce

    Rômulo Croce , Eneida Maria Souza Mendonça
    135-151
    DOI: https://doi.org/10.47456/rf.rf.2132.49275

  • The North Italian religious architecture and the riverside landscape of Alfredo Chaves, ES

    Juliana de Souza Silva Almonfrey
    152-169
    DOI: https://doi.org/10.47456/rf.rf.2132.46320

  • Flow: The Urban Landscape Around the Itapemirim River

    João Wesley de Souza, Ana Carolina Xavier
    170-191
    DOI: https://doi.org/10.47456/rf.rf.2132.49276

  • Allegory or Literal Representation? Indigenous Women in Public Art in Espírito Santo

    Rosely Kumm, Jaqueline Torquatro de Oliveira, Júlia Mello
    192-207
    DOI: https://doi.org/10.47456/rf.rf.2132.49277

  • Itapuã and its Maritimities of Fishing and Shellmound Landscape, Vila Velha, Espírito Santo

    Matheus Nascimento Nogueira, Martha Machado Campos
    208-232
    DOI: https://doi.org/10.47456/rf.rf.2132.49278

  • By the Bank: A Reflection on the Riverbanks and Love Letters to the Rio Doce

    José Cirillo
    233-241
    DOI: https://doi.org/10.47456/rf.rf.2132.49279

  • Liquid Horizons: Public Art and Cultural Transformation on the Margins

    Giovana Aparecida Zimermann Zimermann
    242-254
    DOI: https://doi.org/10.47456/rf.rf.2132.49280

Artigos

  • Back to Tlalocan: deities, activism and ancestral symbols of water in Mesoamerican art today

    Renata Ribeiro dos Santos
    256-274
    DOI: https://doi.org/10.47456/rf.rf.2132.49289

  • The construction of a system of open spaces for Colatina, ES

    Renata Mattos Simões, Eneida Maria Souza Mendonça
    275-290
    DOI: https://doi.org/10.47456/rf.rf.2132.49290

  • Essay on a Seaside Enclosure: Transformative Processes of Urban Form and Life

    Martha Machado Campos
    291-317
    DOI: https://doi.org/10.47456/rf.rf.2132.49291

  • Afro-Brazilian Visual Arts in Education A Black Perspective for Teaching Arts in Early Childhood

    Ivan Lima, Shirley Silva Ramos
    318-332
    DOI: https://doi.org/10.47456/rf.rf.2132.46881

  • The architectural sense in the work of Hélio Oiticica

    Simone Neiva, Alexandre Emerick Neves
    333-351
    DOI: https://doi.org/10.47456/rf.rf.2132.48877

  • This is not about women: “Same Old West”

    Alana de Oliveira Ferreira, Fabiana Pedroni
    352-368
    DOI: https://doi.org/10.47456/rf.rf.2132.49293

  • Art and Politics of Things Bruno Latour's Curatorship and the Reconfiguration of Mediations in the Contemporary Era

    Victor Tuon Murari
    369-383
    DOI: https://doi.org/10.47456/rf.rf.2132.47436

  • Territorial and Programmatic Eccentricity: Three Public Art Programs in Portugal

    Laura Oliveira Castro
    384-401
    DOI: https://doi.org/10.47456/rf.rf.2132.49684

Traduções

  • We, singular plural (fragments of a conversation)

    Rodrigo Rebelo Silva
    403-416
    DOI: https://doi.org/10.47456/rf.rf.2132.49296
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