Vol. 21 No. 33 (2025)

Fundo cinza escuro. Cartaz branco com inscrião em russo no centro. Abaixo da inscrição, no cartaz, palavras rasuradas com a mesma tinda preta. Acima do cartaz, sobre o fundo cinza, logo da Farol e referência completa da edição.

Farol magazine has established itself as an important instrument for the dissemination of art and culture from a perspective that is believed to resist the crushing influence of dominant discourses and that proposes new readings and new networks of knowledge. The thematic dossier of this edition, Possible Ends: Contemporary Deviations and the Artists of the Common, proposes new readings that, in their convergence, constitute a network of meanings, integrated into a new landscape and the tensions surrounding the "common" in the arts. From reflections on the term itself and its implications in contemporaneity, to expressions that evoke ways of looking; thus, producing and rethinking issues intrinsically linked to the artistic field, opening up to potential dialogues with society.

DOI: https://doi.org/10.47456/rf.rf.2133
Published: 30-12-2025

Full Issue

Ensaios

  • “Een merkwaardig misverstand”: Postcolonial reflections on Hoepla

    Janna Schoenberger
    12-26
    DOI: https://doi.org/10.47456/rf.rf.2133.51417

Seção Temática

  • The Common “Immediate-Universal”?

    Stéphane Huchet
    28-41
    DOI: https://doi.org/10.47456/rf.rf.2133.51430

  • Artivism in 21st-Century Russia and the Rhetoric of the Absurd

    Cristina Antonioevna Dunaeva
    42-59
    DOI: https://doi.org/10.47456/rf.rf.2133.51431

  • Bodies in Focus Ten Years of Photographic Practice with Transvestites in Roraima

    Elisangela Martins
    60-72
    DOI: https://doi.org/10.47456/rf.rf.2133.51432

  • Lote Bravo memory, mourning, and vulnerability in the work of Teresa Margolles

    Sheila Cabo Geraldo, Karenn de Amorim e Souza
    73-86
    DOI: https://doi.org/10.47456/rf.rf.2133.50358

  • The ground doesn't lie either

    Márcia Braga
    87-99
    DOI: https://doi.org/10.47456/rf.rf.2133.51433

  • Artistic Activism and the Re-enchantment of the World

    Luiz Sérgio de Oliveira
    100-113
    DOI: https://doi.org/10.47456/rf.rf.2133.51434

  • Pictographic and Pictorial Street Art in Art History

    Elisa de Souza Martinez
    114-142
    DOI: https://doi.org/10.47456/rf.rf.2133.51435

  • Common Ends Attempts toward the being of the artist

    Léa Araujo, Angela Grando
    143-154
    DOI: https://doi.org/10.47456/rf.rf.2133.51436

Artigos

  • Preserving Institutional Memory Through Photographic Collections

    Rosa da P. F. da Costa, Thiago G. de Oliveira, Rayra da S. Föeger, Margarete F. de Moraes
    156-172
    DOI: https://doi.org/10.47456/rf.rf.2133.51437

  • The Casa Río Laboratory and its La Plata Voices Archive

    Paola Fabres
    173-187
    DOI: https://doi.org/10.47456/rf.rf.2133.50414

  • Monument to Fernand Deligny

    Gabriel Bonfim, Guilherme Bruschi Frizzo
    188-207
    DOI: https://doi.org/10.47456/rf.rf.2133.50805

  • (Re)creating Rituals Considerations on Art, Judaism, and Feminism

    Viviane Gueller
    208-220
    DOI: https://doi.org/10.47456/rf.rf.2133.50780

  • Genesis and Expansion of Brazilian Artistic Collectivism in the Early 2000s

    Pedro Caetano Eboli Nogueira
    221-238
    DOI: https://doi.org/10.47456/rf.rf.2133.50779

  • What else could we talk about? Cleaning trenches of the visible

    Bárbara Mol
    239-255
    DOI: https://doi.org/10.47456/rf.rf.2133.50089

  • Mierle Ukeles, maintenance art and the commodity counter-spell

    Ricardo Cabral Pereira
    256-266
    DOI: https://doi.org/10.47456/rf.rf.2133.50852

  • Hans Haacke: Retrospective

    Arçari Arçari
    267-287
    DOI: https://doi.org/10.47456/rf.rf.2133.51498

Traduções

  • “Een merkwaardig misverstand”: Postcolonial reflections on Hoepla

    Janna Schoenberger ; Léa Araujo
    287-303
    DOI: https://doi.org/10.47456/rf.rf.2133.51416