About the Journal

The PPGA-UFES Art and Research Colloquium Magazine, or Revista do Colóquio, appears as a space for publishing articles, experience reports and visual essays carried out in the field of Arts and related areas. Open to receive proposals in Portuguese, Spanish, French and English, Coloquio defends the strengthening of an academic community through the intersection of ideas and the maintenance of a critical view on the production of Art.

Current Issue

Vol. 14 No. 23 (2024)
Fotografia abstrata com círculos cinza-escuros desfocados e com rastro de movimento sobre fundo cinza-claro na parte de cima da imagem. Na parte de baixo, fundo cinza chapado. Sobre esses fundos, lê-se, de cima para baixo: COL23.

For this 23rd edition of Revista do Colóquio, we decided to resume receiving submissions with free themes. Until the previous issue, our editions opened calls with specific themes. As a consequence of these calls, some works that did not build a direct dialogue with the set of texts could only be published in subsequent editions. We understand that free calls allow for faster dissemination of research results. In addition to this gain, we can count on the positive side of unpredictability. The diversity of research objects and approaches to the field of arts can make each edition function as a set of doors for the most varied reading interests.

Published: 28-06-2024

Articles

  • Eternizing the war the images of the Spanish Civil War by Robert Capa

    Syntia Alves
    09-28
    DOI: https://doi.org/10.47456/col.v14i23.44381
  • The relationship between corporeality and digital technologies in immersive exhibitions giving new meaning to art and its narratives of communication, language and spectacle

    Sandra Regina Bastos
    29-44
    DOI: https://doi.org/10.47456/col.v14i23.44355
  • The sertanejo from Os sertões in Deus e o diabo na terra do sol reflections of the aesthetics of violence in a horizon of expectations

    Maria Cláudia Bachion Ceribeli
    45-65
    DOI: https://doi.org/10.47456/col.v14i23.44181
  • Body, skins and spiral in Hundertwasser

    João Victor Coser, Cláudia Maria França da Silva
    66-79
    DOI: https://doi.org/10.47456/col.v14i23.44291
  • Images between life and death reflections from "Resurrection" (1987), by Arthur Omar

    Frederico Franco
    80-97
    DOI: https://doi.org/10.47456/col.v14i23.44439
  • Graffiti ways to demarcate the city and redesign the landscape

    Marcelo Mattos Gandini, Jovani Dala Bernardina
    98-112
    DOI: https://doi.org/10.47456/col.v14i23.44451
  • “Punk rock is also for fagots” punk aesthetics in Bruce Labruce’s queer cinema

    Vinícius Antônio Batista Reis
    113-125
    DOI: https://doi.org/10.47456/col.v14i23.44468
  • Sociopolitical activism in urban arts by Miguel Januário

    Roney Jesus Ribeiro, Michele Marques da Silva Mallagutti
    136-143
    DOI: https://doi.org/10.47456/col.v14i23.42931
  • Presence of indigenous culture in the artistic scene transculturation and hybrid culture in Latin America

    Jaqueline Torquatro
    144-157
    DOI: https://doi.org/10.47456/col.v14i23.44469

Experience Report

  • Medi(a)tion

    Iasmim Dala Bernardina Rodrigues, João Victor Silva Fernandes
    159-169
    DOI: https://doi.org/10.47456/col.v14i23.44376

Visual essays

  • Between landscapes, the construction of poetics

    Jovani Dala Bernardina, Hugo Bernardino Rodrigues
    161-173
    DOI: https://doi.org/10.47456/col.v14i23.44471

Translations

  • Art and life the nineties in Buenos Aires

    Francisco Lemus; Rodrigo Hipólito
    175-205
    DOI: https://doi.org/10.47456/col.v14i23.44826
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