Vol. 23 (2024): january-june

View Vol. 23 (2024): january-june

Editor: Edjalma Nepomoceno Pina.

DOI: https://doi.org/10.29327/2345891.23.23
Published: 14-08-2024

Full Issue

Dossiê: Vertentes da linguagem visual nas sociedades clássica e pós-clássica

  • Introduction

    Edjalma Nepomoceno Pina
    7-9
    DOI: https://doi.org/10.29327/2345891.23.23-1

  • The visual culture and the classics an interview with Jaś Elsner

    Jaś Elsner, Edjalma Nepomoceno Pina
    10-18
    DOI: https://doi.org/10.29327/2345891.23.23-2

  • Votive objects in the ritualistic contexts of Archaic and Classical Greece interpretative boundaries of terracotta figurines in sanctuaries dedicated to Hera

    Lidiane Carderaro
    19-31
    DOI: https://doi.org/10.29327/2345891.23.23-3

  • Visual language on coins the Marian currencies of the Roman Republic (101-97 BCE)

    Gisele Oliveira Barbosa Ayres
    32-45
    DOI: https://doi.org/10.29327/2345891.23.23-4

  • Resonating memories exploring the significance of columellas in the funerary context of Pompeii

    Yuri Augusto de Oliveira
    46-62
    DOI: https://doi.org/10.29327/2345891.23.23-5

  • The statue of Janus in the ‘Aedes Ianus Geminus’ antiquarism’ and the composition of a time’s god for Rome

    Thiago de Almeida Lourenço Cardoso Pires
    63-80
    DOI: https://doi.org/10.29327/2345891.23.23-6

  • The iconography of the funerary altar of Laberia Daphne (90-120 AD) a comparative study

    Jaqueline Souza Veloso
    81-102
    DOI: https://doi.org/10.29327/2345891.23.23-7

  • Physiognomonia and visual culture the archetype of ‘vir rusticus’ in the mosaic of the Laberri’s villa, at Proconsular Africa (2nd-3rd centuries AD)

    Edjalma Nepomoceno Pina
    103-125
    DOI: https://doi.org/10.29327/2345891.23.23-8

  • Images of power in Roman Africa the mausolea of Ghirza and the political affirmation of the ‘principes gentium’ (3rd-5th centuries AD)

    Belchior Monteiro Lima Neto
    126-146
    DOI: https://doi.org/10.29327/2345891.23.23-9

Open subject

  • Alexander the Great as a portrait of de good 'princeps' from the writings of Plutarch of Chareonea

    Henrique Pause
    148-166
    DOI: https://doi.org/10.29327/2345891.23.23-10

  • Claudia Octavia praise and criticism from a woman

    Fábio Faversani, Maria Luísa Miranda Costa
    167-187
    DOI: https://doi.org/10.29327/2345891.23.23-11

Reviews

  • From the catacomb to the basilica how the mother of Jesus became the mother of God

    Esdra Erlacher
    189-195
    DOI: https://doi.org/10.29327/2345891.23.23-12

  • From busts to portraits the Twelve Caesars beyond twelve faces

    Luis Henrique Carminati
    196-202
    DOI: https://doi.org/10.29327/2345891.23.23-13