Vol. 20 No. 31 (2024)

Ilustração em tons de verde e preto de busto de mulher com óculos escuros e duas faixas rosa caindo na frente dos óculos e atravessando a imagem até a parte inferior. Na parte superior, lê-se os créditos da revista em branco. Na parte inferior, o logo da Farol.

The 31st issue of Farol magazine invites its readers to reflect on the Anthropocene, an era marked by human influence on a global scale on natural and social systems. In this issue, we have brought together articles that explore the complex interactions between culture, art, science and the environment, offering critical perspectives on contemporary challenges and possibilities for transformation. With a focus on issues such as sustainability, ethics and imaginaries of the future, the texts in this issue seek to stimulate urgent and interdisciplinary dialogues that help us rethink our role on the planet. We invite you to access the full issue and engage with these essential reflections for our time.

DOI: https://doi.org/10.47456/rf.v20i31
Published: 28-12-2024

Full Issue

Artigos

  • “Primitive” and “naïve” in the exhibition Lirismo Brasileiro / 68

    Gabriela Kalindi Daduch Lima, Emerson Dionisio Gomes de Oliveira
    161-171
    DOI: https://doi.org/10.47456/rf.v20i31.46076

  • Not with a bang but a whimper Art that sprouts in a world in ruins

    Alisson Ramos de Souza, Luiza Balau
    172-184
    DOI: https://doi.org/10.47456/rf.v20i31.46450

  • Editing with archive footage

    Virginia Osorio Flores
    185-203
    DOI: https://doi.org/10.47456/rf.v20i31.46514

  • From schools to the streets from an occupation of the self to an urban aesthetic-politics

    Mariana Pimentel, Jorge Vasconcellos
    204-213
    DOI: https://doi.org/10.47456/rf.v20i31.40100

  • Polyhedral Dialogues OPAVIVARÁ! and the Intersection of Art, Society and Urban Space

    Lívia Fernandes Campos, Angela Grando
    214-231
    DOI: https://doi.org/10.47456/rf.v20i31.47175

Traduções

  • The Way We Learn Our Names Is Written in the Sky Personification in the Capitalocene

    Michael B. MacDonald
    233-160
    DOI: https://doi.org/10.47456/rf.v20i31.47184

Ensaios

  • How we learn our names is written in the colour of the sky personing in the Capitalocene

    Michael B. MacDonald
    11-36
    DOI: https://doi.org/10.47456/rf.v20i31.47179

Seção Temática

  • Drifts, resistances, arts in/through the Anthropocene

    Paula Guerra
    38-43
    DOI: https://doi.org/10.47456/rf.v20i31.46852

  • When violence touches the soundscape in the reception of the work of art

    Paula Guerra, Jaqueline Torquatro de Oliveira , Jovani Dala , Rosely Kumm
    44-64
    DOI: https://doi.org/10.47456/rf.v20i31.47180

  • In Focus Capturing Female Rock Photojournalists Trailblazing Attitudes on Gender and Stereotypes (1970-1980s)

    Angels Bronsoms
    65-83
    DOI: https://doi.org/10.47456/rf.v20i31.47181

  • Fashion in poetry the uses of fiction and otherness

    Olga Kempinska
    84-96
    DOI: https://doi.org/10.47456/rf.v20i31.45158

  • Rubiane Maia's drift between the body-territory in the Global South

    Sofia Sousa
    97-112
    DOI: https://doi.org/10.47456/rf.v20i31.47182

  • The tapuia (re)existence we are goitacazes, botocudos, aymorés e puris

    Rosana Paste, Felipe Lacerda
    113-123
    DOI: https://doi.org/10.47456/rf.v20i31.45541

  • Resonant Dissidents graffiti in political demonstrations

    Penha de Fátima da Cruz de Souza, Claudia França
    124-134
    DOI: https://doi.org/10.47456/rf.v20i31.40176

  • Recife Frio the Anthropocene in the light of a contemporary Brazilian film

    Lucas Murari
    135-145
    DOI: https://doi.org/10.47456/rf.v20i31.46220

  • Between walls and women Kika Carvalho's art and feminine identity

    Ana Oliveira, Hugo Bernardino Rodrigues, João Victor Silva Fernandes, Mariana de Araujo Reis Lima
    146-159
    DOI: https://doi.org/10.47456/rf.v20i31.47183