Vol. 19 No. 28 (2023)

Brenda Oelbaum, The Venus of Fonda, 2010. Escultura com páginas de publicaçõ es de dieta e exercícios da atriz Jane Fonda. Fotografia: Amanda Nichol Rogers.
Issue 28 of the already consolidated Farol Magazine has as its main axis concepts that shape the thematic dossier “Feminism and decoloniality”. The articles included here attest to the significant influence that these theoretical and political currents have had on contemporary art. This means, as it is reasonable to think today, the reordering, or cultural aggiornamento – along with the profound transformation of the dialectic of the art/criticism relationship that allows, in the form of a mobile constellation of statements, the researcher to theorize the meaning and positioning of practices in relation to a set of disciplines – aesthetics, philosophy, history, anthropology, psychoanalysis, technology, invention and, essentially, art – as well as a discursive and visual context that involves it culturally and socially.      
DOI: https://doi.org/10.47456/rf.v19i28
Published: 10-01-2024

Full Issue

  • Presentation

    DOI: https://doi.org/10.47456/rf.v19i28.43437
    Editores
    7-9

Ensaios

  • Abordagens musicais onipresentes da segunda onda para o compartilhamento de conhecimento

    DOI: https://doi.org/10.47456/rf.v19i28.43454
    Damián Keller , Leandro Costalonga
    11-21

Seção Temática

  • From Imagining to Wearing artistic processes and experiments on the rite of passage – marriage

    DOI: https://doi.org/10.47456/rf.v19i28.43438
    Elaine Karla de Almeida, Michele Dias Augusto
    23-33

  • Decolonial feminism and contemporary art in the Americas

    DOI: https://doi.org/10.47456/rf.v19i28.43439
    Elisa de Souza Martínez, Isabela Capinzaiki Silveira Martins
    34-45

  • Dona Dominga beyond the stairs of power

    DOI: https://doi.org/10.47456/rf.v19i28.40098
    Fabíola Fraga Nunes, Fabricio do Rosário Moreira, Giuliano Miranda , José Cirillo
    46-58

  • The grotesque between subjectivity and collectivity revisiting the Venus of Willendorf project by Brenda Oelbaum

    DOI: https://doi.org/10.47456/rf.v19i28.43445
    Júlia Mello
    59-69

  • Castiel Vitorino Brasileiro visuals about gender and race

    DOI: https://doi.org/10.47456/rf.v19i28.43446
    Matheusa Moreira Nunes, Larissa Fabricio Zanin
    70-80

  • Decolonial Curation Black Artists in Espírito Santo

    DOI: https://doi.org/10.47456/rf.v19i28.43447
    Mayara Simões de Carvalho, Aissa Afonso Guimarães
    81-90

  • From the chest of the skin and Yorùbáiano reflections on art as a place of existence

    DOI: https://doi.org/10.47456/rf.v19i28.43448
    Rafaela Maria Martins da Silva
    91-99

Artigos

  • The presence of absence in art

    DOI: https://doi.org/10.47456/rf.v19i28.43449
    Mónica Elisa Contreras Godínez
    101-110

  • Systems theory and Luhmann's musical language

    DOI: https://doi.org/10.47456/rf.v19i28.43450
    Kin Modesto Sugai, Vitorino Modesto dos Santos
    111-119

  • The Cais das Artes cultural complex “suspended” museum

    DOI: https://doi.org/10.47456/rf.v19i28.43451
    Neusa Maria Mendes
    120-137

  • Break the silence. Reinvent the place. Musical Cities to the sound of Brega

    DOI: https://doi.org/10.47456/rf.v19i28.43453
    Paula Guerra
    138-152

  • Personal files and creative process documents a necessary overlap

    DOI: https://doi.org/10.47456/rf.v19i28.43337
    Rosa da Penha Ferreira da Costa
    152-162

Traduções

  • The Knowledge sharing in the second cycle of ubiquitous music

    DOI: https://doi.org/10.47456/rf.v19i28.43455
    Damián Keller , Leandro Costalonga; Júlia Mello
    164-175